Shadowman debuted in 1992 as a flagship title in the Valiant Universe and became one of the industry’s most popular comic books. After one year in publication, Shadowman was selling over 100,000 comics books a month. By its second year, Shadowman was outselling long-standing industry stalwarts from Marvel Comics and DC Comics.
Shadowman continued strongly with sales in the hundreds of thousands of books per month (ultimately selling more than 5 million copies altogether) until 1996 when Acclaim Entertainment, which bought Valiant for $65 million, started a new Shadowman series under the Acclaim Comics banner.
The House of Secrets was revived in 1969 after a 3 year absence. Now its horror and suspense tales were introduced by a host named Abel, who would also host the satirical comic Plop!. His brother Cain hosted House of Mystery. Swamp Thing first appeared in House of Secrets #92 (July 1971) in a stand-alone horror story set in the early 20th century written by Len Wein and drawn by Bernie Wrightson. The woman appearing on the cover of this issue was modeled after future comics writer Louise Simonson.
This revival, sporting many covers by Neal Adams, Bernie Wrightson, and Michael Kaluta, ran through issue #154 (Nov. 1978), with three months passing between #140 (April 1976) and #141 (July 1976). It was then ‘merged’ into The Unexpected with issue #189, through issue #199. The series was 68 ad-free pages, allowing all three portions to be full-length issues.
The House of Secrets also came to be the name of the actual edifice in which Abel lives. Writer Mike Friedrich and artist Jerry Grandenetti introduced the house and explained its origins. The Sandman series revealed it exists both in the real world of the DC Universe and in the Dreaming, as a repository for secrets of all kinds.
Die!Die!Die! was created and is written by Robert Kirkman with co-writer Scott M. Gimple, artist Chris Burnham and colorist Nathan Fairbairn. It is a blood-soaked, no holds barred, action-packed, irreverent story that fans won’t be able to rip their eyes from. We live in an evil world where evil people do evil stuff all the time and Die!Die!Die! lifts the veil on a secret cabal within the United States government that influences world matters through targeted assassination.
On two separate occasions – April 1996 and June 1997 – Marvel and DC co-published issues under the Amalgam Comics imprint. The issues were presented as if the imprint had existed for decades, with stories and editorial comments referring to a fictional history stretching back to the Golden Age of Comics, including retcons and reboots. For example, they referred to Secret Crisis of the Infinity Hour (an amalgamation of Marvel’s Secret Wars, DC’s Crisis on Infinite Earths, Marvel’s The Infinity Gauntlet, and DC’s Zero Hour), which featured the well-known cover of Crisis on Infinite Earths #7, but with Super-Soldier holding his sidekick’s body, instead of Superman holding Supergirl. Several issues included fake letter columns to provide the illusion of background to the stories, with the “fans'” hometowns formed by amalgamating the names of existing cities.
Akira (often stylized as AKIRA) is a Japanese manga series written and illustrated by Katsuhiro Otomo. Set in a post-apocalyptic Neo-Tokyo, the work uses conventions of the cyberpunk genre to detail a saga of turmoil. Initially serialized in the pages of Young Magazine from 1982 until 1990, the work was collected into six volumes by its publisher Kodansha. The work was first published in an English-language version by the Marvel Comics imprint Epic Comics, one of the first manga works to be translated in its entirety. Otomo’s art is considered outstanding, and a breakthrough for both Otomo and the manga form. Throughout the breadth of the work, Otomo explores themes of social isolation, corruption, and power.
The dying Empire’s most cunning and ruthless warlord—Grand Admiral Thrawn—has taken command of the remnants of the Imperial fleet and launched a massive campaign aimed at the New Republic’s destruction. Meanwhile, Han and Lando Calrissian race against time to find proof of treason inside the highest Republic Council—only to discover instead a ghostly fleet of warships that could bring doom to their friends and victory to their enemies. Yet most dangerous of all is a new Dark Jedi, risen from the ashes of a shrouded past, consumed by bitterness…and scheming to corrupt Luke Skywalker to the Dark Side.
The initial Justice League lineup included seven of DC Comics’ superheroes who were regularly published at that time: Superman, Batman, Aquaman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman. Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Three of DC’s other surviving or revived characters, Green Arrow,the Atom, and Hawkman were added to the roster over the next four years.
The title’s early success was indirectly responsible for the creation of the Fantastic Four. In his autobiography Stan Lee relates how in 1961, during a round of golf, DC publisher Jack Liebowitz mentioned to Marvel-Timely owner Martin Goodman how well DC’s new book (Justice League) was selling. Later that day Goodman, a publishing trend-follower aware of the JLA’s strong sales, told Lee, his comics editor, to come up with a team of superheroes for Marvel.
It’s been a while since Deadpool’s had to merc to make ends meet, but things are tough all over. While Deadpool tries to get his humble mercenary-for-hire business back off the ground, a catastrophic threat so unfathomably huge, so mind-breakingly cataclysmic it defies description, is heading toward Earth, and there’s only ONE PERSON WHO CAN STOP IT!!!
It tells the story of Sophie Bangs, a college student from an alternate futuristic New York City in 1999, who embodies the powerful entity known as Promethea whose task it is to bring the Apocalypse.
Originally published as 32 issues from 1999 to 2005, the series has been re-published into five graphic novels and one hard-back issue. Moore weaves in elements of magic and mysticism along with superhero mythology and action, spirituality and the afterlife (in particular the Tree of Life) and science-fiction. Promethea includes wide-ranging experimentation with visual styles and art.