Rob Liefeld told Wizard magazine in 1994 that he was inspired by Gene Roddenberry and Steven Spielberg to create Prophet. The character first appeared in Youngblood #2, released by Image Comics in July 1992. Prophet was originally intended to appear in the pages of Marvel Comics‘ X-Force. Liefeld explained to Wizard: “He was going to show up around #6 or #7 in my original plans, and the cover to Youngblood #2 originally had X-Force members looking on instead of Youngblood members. I soon decided that I was going to work on stuff that was creator-owned, so I pulled the character of Prophet and saved him for later.”
The storyline in Youngblood led directly into Prophet’s own title, which lasted eleven issues (including a zero issue). A second series, written by Chuck Dixon, premiered in 1995 and lasted eight issues. A one-shot was released in 2000 by Awesome Comics.
Spawn enjoyed considerable popularity upon its initial release in the 1990s. Comic book collecting was enjoying a marked upswing at the time, fueled by the speculator boom looking for the next hot book that would jump in value after its release] McFarlane had enjoyed superstar status among comic fans with his work on Spider-Man, which had featured McFarlane’s name prominently as both writer and artist. McFarlane’s subsequent break with Marvel and the formation of Image Comics was seen by many as a sea-change event, changing the very way in which comics were produced. Wizard, on May 2008, rated “The Launch of Image Comics” as No.1 in the list of events that rocked the Comic Industry from 1991 to 2008.
The first issue of Spawn was very popular with sales of 1.7 million copies. During Spawn’s second year of publication, Wizard noted that “The top dog at Image is undoubtedly Todd McFarlane’s Spawn, which, without the added marketing push of fancy covers, polybagged issues, or card inserts has become the best-selling comic on a consistent basis that is currently being published. Sales slumped around the time of Spawn #25, but by Spawn #45 it was again a consistently strong seller.
Mark Millar & Greg Capullo join forces to create the smash hit sci-fi / fantasy story: REBORN. Where do you go when you die? Not heaven or hell; somewhere else. Somewhere you have to fight to survive. Somewhere the people from the past are waiting for you—the good and the bad.
Cryptids. Aliens. Monsters. All the world’s bizarre secrets-what if they were real? Their existence would be debunked by a reality TV show! Hoax Hunters is that show, publicly disproving all variety of lore. But their real goal is the opposite: as the world’s dark corners surface, the Hoax Hunters cover them up. When a mysterious astronaut made of crows appears in Russia, the Hoax Hunters are on the case.
As with Superman: Red Son, Millar claims that the concept for the series occurred to him when he was a child. In this case, it came to him after his brother told him that there were no superheroes any more because they had all disappeared after a great war with their respective supervillains. It was modified from a pitch by Millar for a Secret Society of Super-Villains series.
1986, the year of the aforementioned war in which the supervillains took over and made their world “darker and grittier”, has real world significance to the world of comic books. It marks the publication of Batman: The Dark Knight Returns, Watchmen, and the completion of the 1985-86 Crisis on Infinite Earths series.
The series is set in a matriarchal “alternate Asia” riven by war between the Arcanics, magical creatures who sometimes can pass for human, and the Cumea, an order of sorceresses who consume Arcanics to fuel their power. The main character, Maika, is an Arcanic who is set on learning more about, and avenging, her dead mother. According to Liu, among the series’s themes are the inner strength required to withstand constant dehumanization, as well as the power of friendship among women.
The first, triple-sized issue of Monstress received critical praise. Writing for Kotaku, Evan Narcisse called it “a gorgeous comic book about racism, war and slavery”, noting the intricate detail of Takeda’s manga-inspired art. In the A.V. Club, Caitlin Rosberg described the leading characters, all women, as “deeply flawed and showing layers of nuanced characterization that you don’t often see in comic books”, and appreciated the series’s “sense of in-between-ness—(…) neither traditionally Western nor manga, paced like a novel but drawn like a comic”.
Angela was created by author Neil Gaiman and artist Todd McFarlane. She first appeared as a supporting antagonist in McFarlane’s creator-owned series Spawn, making her debut in issue #9 in March 1993, and later starring in her own self-titled miniseries. She is an angel and a bounty hunter, working under the auspices of Heaven to oppose Spawn.
Angela was later the subject of a legal battle between McFarlane and Gaiman over the rights to the character, which Gaiman won. Gaiman later sold the rights to the character to Marvel Comics; she was integrated into the Marvel Universe in the 2013 story “Age of Ultron“, and her character was expanded upon in the 2014 storyline “Original Sin“, where she was established to be the lost sister of Thor.