Rob Liefeld told Wizard magazine in 1994 that he was inspired by Gene Roddenberry and Steven Spielberg to create Prophet. The character first appeared in Youngblood #2, released by Image Comics in July 1992. Prophet was originally intended to appear in the pages of Marvel Comics‘ X-Force. Liefeld explained to Wizard: “He was going to show up around #6 or #7 in my original plans, and the cover to Youngblood #2 originally had X-Force members looking on instead of Youngblood members. I soon decided that I was going to work on stuff that was creator-owned, so I pulled the character of Prophet and saved him for later.”
The storyline in Youngblood led directly into Prophet’s own title, which lasted eleven issues (including a zero issue). A second series, written by Chuck Dixon, premiered in 1995 and lasted eight issues. A one-shot was released in 2000 by Awesome Comics.
The Magic Order is written by Mark Millar and illustrated by Olivier Coipel. The first comic in the series was published on 13 June 2018. It is published by Image Comics and the property of Netflix which bought Millarworld in 2017. It consists of six issues. The series is R-rated adult fantasy. The comic is the first comic book series released by Millarworld since being acquired by Netflix and marks the start of phase 2 of Millarworld.
The comic is centered on the Magic Order, which is a group of five families of magicians entrusted to keep the world safe from supernatural problems. However, the order is in danger as its members are being targeted and picked off one by one. They must now find this enemy and stop the murders. The members of the Magic Order live among normal people. By day, they act as neighbors, friends, or lovers. By night, they are sorcerers, magicians and wizards who protect us from the forces of evil.
Pitt is a human/alienhybrid, created by an alien race known as the Creed, genetically engineered to serve as a killing machine. He appears more alien than human, with red, pupil-less eyes, gray skin, absence of a nose, sharp oversized teeth and large talons.
Writer Brian K. Vaughan conceived Saga in his childhood, calling it “a fictional universe that I created when I was bored in math class. I just kept building it.” He was inspired by such influences as Star Wars,Flash Gordon and children’s books, and has also invoked the awe and wonder of first seeing the Silver Surfer, which seemed an “incredible and different” concept to him. It was not until his wife became pregnant with his second daughter, however, that he conceived of the protagonists, the winged Alana and the horned Marko, two lovers from warring extraterrestrial races who struggle to survive with their newborn daughter, Hazel, who occasionally narrates the series. It was also at this point that the central theme that Vaughan wanted for the book emerged. Vaughan explains, “I wanted to write about parenthood, but I wanted to Trojan-horse it inside some sort of interesting genre story, to explore the overlap between artistic creation and the creation of a child.”] Vaughan, who intended to return to writing a comics series following the 2010 conclusion of his previous series, Ex Machina, and who notes that the publication of Saga #1 coincided with the birth of his daughter, saw parallels between the caution advised by colleagues against launching a new book in the poor economy and those who cautioned against bringing a new child into the world.
Spawn enjoyed considerable popularity upon its initial release in the 1990s. Comic book collecting was enjoying a marked upswing at the time, fueled by the speculator boom looking for the next hot book that would jump in value after its release. McFarlane had enjoyed superstar status among comic fans with his work on Spider-Man, which had featured McFarlane’s name prominently as both writer and artist. McFarlane’s subsequent break with Marvel and the formation of Image Comics was seen by many as a sea-change event, changing the very way in which comics were produced. Wizard, on May 2008, rated “The Launch of Image Comics” as No.1 in the list of events that rocked the Comic Industry from 1991 to 2008.
The first issue of Spawn was very popular with sales of 1.7 million copies. During Spawn’s second year of publication, Wizard noted that “The top dog at Image is undoubtedly Todd McFarlane’s Spawn, which, without the added marketing push of fancy covers, polybagged issues, or card inserts has become the best-selling comic on a consistent basis that is currently being published. Sales slumped around the time of Spawn #25, but by Spawn #45 it was again a consistently strong seller.
The Darkness is a cosmic entity predating recorded history. It is the embodiment of the empty void of chaos which existed prior to the coming of God’slight – embodied as the Angelus. As the cosmos formed in its place, the now-usurped Darkness grew to resent God and His creation. Growing powerful enough to manifest itself and conjure a legion of demons, the Darkness declared war upon the Angelus and her host. This lasted for eons until a truce was found to prevent mutual destruction. To seal the covenant, the two powers mated and conceived the Witchblade.
Some time after this, the Darkness began inhabiting human vessels – inherited through the sons of its chosen bloodline; the father passing the curse to his child at the moment of conception, expiring as the force leaves his body. The power then awakens on the son’s 21st birthday. A wielder of the Darkness has been present in every major time period and continental power in history. These hosts have usually been of a violent predisposition, such as dictators and warlords. Many have also been of a criminal background; namely murderers, thieves, and molesters.
Paper Girls follows the story of four 12-year-old newspaper delivery girls (Erin, MacKenzie, KJ, and Tiffany) set in Stony Stream, a fictional suburb of Cleveland, Ohio. While out delivering papers on the morning after Halloween, the town is struck by an invasion from a mysterious force from the future. The girls become unwillingly caught up in the conflict between two warring factions of time-travelers.
The series follows the adventures of the titular hero both in the real world and in an alternate reality referred to as the Outback. In the real world, the Maxx is a vagrant, a “homeless man living in a box”, while in the Outback, he is the powerful protector of the Jungle Queen. The Jungle Queen exists in the real world as Julie Winters, a freelance social worker, who often bails the Maxx out of jail. While the Maxx is aware of the Outback, Julie is not, though it is integral to both of their stories.
The comic book, starring an eponymous purple hero, spawned an animated series on MTV. The first appearance of The Maxx was in Primer #5, published by Comico Comics.
A cross between super-heroics and James Bond-style adventures, black-and-white is the story of Whitney Samsung and Reed Blackett, hired to defend Whitney and thereafter cast into the role of bodyguard/guardian as she refuses to listen to reason and throws herself headlong into trouble.
From the Eisner Award-winning team behind The Private Eye, Barrier is an unconventional drama about violence, language, aend illegal immigration…with a shocking sci-fi twist. Printed in its original “landscape” format (side-stapled for convenient shelving!) and graced with gorgeous cardstock covers, each comic is meant to be a durable work of art, and there are no plans for these print issues to ever be collected.