Verotika is an erotic horror anthology that attracted some of the best talent in the industry. Grant Morrison, Simon Bisley, and Frank Frazetta all worked on this anthology that offered creators the opportunity to unleash some of the most depraved, filthy, perverted and downright immoral stories ever told in comics. After every issue readers were left with the feeling that they needed to bathe in holy water.
In 1967, Gold Key reprinted a number of selected issues of their comics under the title Top Comics which were sold in plastic bags containing five comics at gas stations and various eateries. Like Dell, Gold Key was one of the few major American publishers of comic books never to display the Comics Code Authority seal on its covers.
Madman first appeared as Frank Einstien in Creatures of the Id and Grafik Muzik published in 1990, but it wasn’t until March 1992 that the first Madman miniseries debuted from Tundra Publishing. The series gained further recognition with its move to Dark Horse Comics in April 1994, where it was relaunched as Madman Comics and went on to be nominated for several Harvey Awards. Madman Comics ran for 20 issues and ended in 2000. From 2007–2009, Image Comics published Madman: Atomic Comics for 17 issues.
When Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular (some 8 million copies were sold in Japan) for its powerful, epic samurai story and its stark and gruesome depiction of violence during Tokugawa era Japan.
Lone Wolf and Cub is one of most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos. The story spans 28 volumes of manga, with over 300 pages each (totaling over 8,700 pages in all). Many of the frames of the series are hauntingly beautiful depictions of nature, historical locations in Japan and traditional activities done in the classical ukiyo-e style.
Lone Wolf and Cub was initially released in North America in a translated English edition by First Comics in 1987, as a series of monthly, comic-book-sized, square-bound prestige-format black-and-white comics containing between 64 and 128 pages, with covers by Frank Miller, and later by Bill Sienkiewicz, Matt Wagner, Mike Ploog, and Ray Lago. Sales were initially strong, but fell sharply as the company went into a general decline. First Comics shut down in 1991 without completing the series, publishing less than a third of the total series in 45 prestige-format issues.
Starting in September 2000, Dark Horse Comics began to release the full series in 28 smaller-sized trade paperback volumes, similar to the volumes published in Japan, completing the series with the 28th volume in December 2002. Dark Horse reused all of Miller’s covers from the First Comics edition, as well as several done by Sienkiewicz, and commissioned Wagner, Guy Davis, and Vince Locke to produce new covers for several volumes of the collections. In October 2012, Dark Horse completed the release of all 28 volumes in digital format, as part of their “Dark Horse Digital” online service.
The series centers around the artificial planet Archernar IV and it’s two native sentient species, the Archernariansand Crawlers. The series begins at the start of the Enterprise‘s five-year mission at the start of contact with Archernar, and then skips ahead to the Enterprise‘s final mission to the planet as it prepares to join the Federation. At the conclusion of the Archernar mission the Enterprise returns to Earth, with the crew moved by the mission to take on new roles, as seen at the start of Star Trek: The Motion Picture.
Upon Warren’s bankruptcy shortly afterward, Harris Publications acquired the company assets at auction in August 1983, although legal murkiness and a 1999 lawsuit by Warren publisher James Warren resulted in his re-acquisition of the rights to sister publications Creepy and Eerie. Harris Comics published Vampirella stories in various series and miniseries from 1991 to 2007. Harris also published Vampirella #113, a one-issue continuation of the original series, containing solely reprinted stories, in 1988.
Jim is a series created by Jim Woodring. It began in 1980 as a self-published zine and was picked up by Fantagraphics Books in 1986 after cartoonist Gil Kane introduced Woodring to Fantagraphics co-owner Gary Groth. The publisher released four magazine-sized black-and-white issues starting in September 1987. A comic book-sized continuation, Jim Volume II, with some color, began in 1993 and ran for six issues until 1996.
Jim, which Woodring described as an “autojournal”, contained comics on a variety of subjects, many based on dreams, as well as surreal drawings and free-form text which resembled Jimantha automatic writing. Besides dreams, the work drew on Woodring’s childhood experiences, hallucinations, past alcoholism, and Hindu beliefs. It also included stories of recurring Woodring characters such as Pulque (the embodiment of drunkenness), boyhood friends Chip and Monk, and, in Volume II, his signature creation Frank.
During the run of the television show Thriller, Karloff lent his name and likeness to a comic book for Gold Key Comics based upon the series. After Thriller was cancelled, the comic was retitled Boris Karloff’s Tales of Mystery. An illustrated likeness of Karloff continued to introduce each issue of this publication for nearly a decade after the real Karloff died; the comic lasted until the early 1980s. Starting in 2009, Dark Horse Comics started to reprint Tales of Mystery in a hard bound archive.
Doctor Solar premiered in issue #1 of Doctor Solar, Man of the Atom in Summer 1962 (cover date October 1962) in the first batch of comics released by Gold Key, with Solar being Gold Key’s first original character. Though Gold Key did not have as large a distribution network as Dell Comics, the Gold Key comics stood out on the newsstand shelves due to their cover art and a 12 cent price (Dell Comics sold for 15 cents). The first two issues of Solar appeared with cover paintings by Richard M. Powers; beyond the second issue the cover paintings were done by George Wilson. The interior artwork in the first several issues also had unique features: the superhero, Dr. Solar, did not have a costume until the fifth issue, rectangular word balloons and no black holding line around each panel. Following from practise of Dell Comics, and thanks to Western Publishing’s reputation of publishing other children-friendly books, Doctor Solar, Man of the Atom was able to be distributed without the Comics Code Authority symbol. The original creative team of writer Paul S. Newman and artist Bob Fujitani lasted until issue #5 when Frank Bolle took over the art work. With the exception of issue #7 written by Otto Binder, Newman wrote the comic book until issue #10 when Dick Wood took over for the remainder of the series. Other artists that contributed included Mel Crawford, Win Mortimer, Alden McWilliams (issues #20-23), Ernie Colón (issues #24-26), José Delbo (issue #27).
From Hell is a graphic novel by writer Alan Moore and artist Eddie Campbell, originally published in serial form from 1989 to 1996 and collected in 1999. Set during the Whitechapel murders of the late Victorian era, the novel speculates upon the identity and motives of Jack the Ripper. The novel depicts several true events of the murders, although portions have been fictionalised, particularly the identity of the killer and the precise nature and circumstances of the murders. The title is taken from the first words of the “From Hell” letter, which some authorities believe was an authentic message sent from the killer in 1888.