Bram Stoker’s Dracula, a four-issue Topps comic book adaptation of Columbia Pictures’ (Sony Pictures Entertainment) 1992 film directed by Francis Ford Coppola which starred a young Keanu Reeves as Jonathan Harker, Winona Ryder as Mina Murray, Anthony Hopkins as Professor Abraham Van Helsing and Gary Oldman as Dracula. Topps Comics released a 120-page adaptation in 1993, written by Roy Thomas and drawn by Mike Mignola, one of the last projects before launching Hellboy.
The plot picks up right at the end of the film, where the wizard of Army of Darkness goes to Ash’s times to tell him that he’s still not in his right time and that he arrived moments before he left to the wood in the first Evil Dead. Now he once again faces the evil in the woods and encounters his self from the true present, and along with the Wizard sends him to the past where the events of The Army of Darkness took place. While trying to destroy the book that caused all the events of the trilogy to take place, the two travel to Egypt, where the wizard is killed and Evil Ash is resurrected, in a final battle Ash is able to destroy Evil Ash and his army with the help of the medieval warriors of Arthur’s court from the 3rd film and once again encounters Sheila, after the end of the battle everybody goes to their respective timeline but Ash leaves the book behind, forgetting to destroy it.
Set in an alternate near-future Japan, a young woman codenamed “Kabuki”, acts as an agent and television law-enforcement personality for a clandestine government body known as “The Noh”. In the first volume of the series, The Noh’s nature and background is explained.
The Noh is controlled by a renowned World War II Japanese military man known as the General, who has achieved much power and status for being a brilliant military tactician during his many years of service. The agency itself exists as part of Japan’s strict police state, which hunts down and brutally executes criminals for their misdeeds under the veil of keeping the peace. Secretly the Noh also acts to maintain the balance of crime and order that ultimately benefits the national economy on both sides of the law and thus targets politicians, businessmen and certain underworld kingpins whose actions threaten this balance. Kabuki herself is one of eight masked assassins whom perform these secret executions under the General’s orders.
The Simpsons’ Treehouse of Horror is an annual horror series. It has been published around September–October, for Halloween, every year since 1995. It takes its name from the annual “Treehouse of Horror” episodes of The Simpsons. Like the episodes, the comic book always feature three stories in each issue. The stories are written and illustrated by some of the most famous people in the comic book business. Over the last dozen years, the series has had stories created by such industry stars as Garth Ennis(Preacher), Dan Decarlo (Archie Comics), Evan Dorkin (Milk and Cheese), Marv Wolfman and Gene Colan (Blade, Archie Comics, Tomb of Dracula) and rock stars Gene Simmons (Kiss), Alice Cooper and Rob Zombie as well as (humorously) Pat Boone. The stories usually parody modern horror stories and films, and feature distorted versions of the people of Springfield.
The Vampire Lestat was adapted into a comic and released as a 12-part miniseries by Innovation Comics in 1990 and 1991. The comic, which was formally titled Anne Rice’s The Vampire Lestat and featured Daerick Gross and Mike Okamoto as lead artists, had a script adapted from the novel by Rice and Faye Perozich. In 1991 the entire series was published as a graphic novel by Ballantine.
After his first appearance in a 10-page story in Mystery Comics Digest #5, Dr. Spektor was spun off into his own title, The Occult Files of Doctor Spektor. The series ran for 24 issues (May 1973 – February 1977). His final original story appeared in one issue of Gold Key Spotlight (#8, August 1977). Jesse Santos replaced Spiegle as artist on the series, and remained there for the entire run.
Dr. Spektor appeared in all four issues of Gold Key’s Spine-Tingling Tales (1975–76), where he provided linking narration for some of the stories within. (These stories were reprints from Mystery Comics Digest that dealt with characters who later appeared in his title). He also had stories he narrated in Mystery Comics Digest #10, #11, #12, and #21, and articles in Golden Comics Digest #25, #26, and #33.
Under the Whitman Comics name, issue #25 was released in May 1982. It reprinted issue #1, but with a line-art cover instead of the original painted cover.
In 2014, Dynamite Entertainment released a new version of “Doctor Spektor”, written by Mark Waid and drawn by Greg Pak, as part of the company’s revival of several Gold Key characters (which also included Magnus, Robot Fighter, Dr. Solar and Turok)
Vampirella is a vampire superheroine created by Forrest J Ackerman and costume designer Trina Robbins in Warren Publishing‘s black-and-white horror comics magazine Vampirella #1 (Sept. 1969). Writer-editor Archie Goodwin later developed the character from horror-story hostess, in which capacity she remained through issue #8 (Nov. 1970), to a horror-drama leading character. Vampirella was ranked 35th in Comics Buyer’s Guide‘s “100 Sexiest Women in Comics” list.
The Rocketeer’s first adventure appeared in 1982 as a backup feature in issues #2 and #3 of Mike Grell‘s Starslayer series from Pacific Comics. Two more installments appeared in Pacific’s showcase comic Pacific Presents #1 and 2. The fourth chapter ended in a cliffhanger that was later concluded in a special Rocketeer issue released by Eclipse Comics. The complete story was then collected by Eclipse in a single volume titled The Rocketeer.
The series debuted as a three-issue black-and-white limited series (the third of which featured a 33 RPM flexi disc with music and dialogue from the issue), followed by an eighty-issue ongoing full-color series. The black-and-white issues and the first six color issues were published by Capital Comics; after Capital’s demise, First Comics took over publication.
On the creation of the series: Baron noted that they had originally pitched a series called Encyclopaedias to Capital Comics, but the company rejected this, saying they were looking for a superhero title. Over a drink at a restaurant, Baron outlined his ideas for Nexus to Rude.
Nexus was entirely Baron’s idea. He even came up with the lightning bolt for the costume. All that we needed then was a name… a few weeks passed. Baron calls, and, without preamble, just says “Nexus.” We finally had our name.”
Paul Pope introduced THB in 1994, the same year he began work for Kodansha, Japan’s best-known manga publisher. Pope eventually developed the manga Supertrouble for Kodansha, which mined the “cutie-pie” girl adventure vein that THB exists in. Pope has self-published some of his work through his own Horse Press, with other work such as One-Trick Ripoff coming from Dark Horse Comics and Heavy Liquid and 100% published under DC Comics‘ Vertigo imprint.
Pope’s work combines the precision and romance of the European artists he studies with the energy and page design of the manga tradition. His storytelling narratives continue to mature with well-paced, deftly-shaded combinations of science fiction, hardboiled crime stories and the Romeo and Juliet archetype. Pope’s two protagonist types are the silent, lanky outsider male of One-Trick Ripoff, Escapo and Heavy Liquid, or the resourceful, aggressive, humorous young teenage girls of THB.