Fathom: Dawn of War bridges the gap between the original series and Fathom vol. 2. The story focuses on the Blue warrior Kiani, who is forced to side with the rebellious councilman Marqueses in order to save her master, Casque, from the clutches of human military scientists. Marqueses has engineered the situation in order to kidnap Casque and to secure the older warrior’s immense power for an offensive against the humans. Kiani tracks down Marqueses and saves Casque only to find he is part of the Black. The Black come for Casque, and he is forced to rejoin them, leaving Kiani angry and lost.
Dawn of War emphasizes Kiani’s loneliness and character development. It also introduces audiences further to the underwater world of the Blue.
Verotika is an erotic horror anthology that attracted some of the best talent in the industry. Grant Morrison, Simon Bisley, and Frank Frazetta all worked on this anthology that offered creators the opportunity to unleash some of the most depraved, filthy, perverted and downright immoral stories ever told in comics. After every issue readers were left with the feeling that they needed to bathe in holy water.
Madman first appeared as Frank Einstien in Creatures of the Id and Grafik Muzik published in 1990, but it wasn’t until March 1992 that the first Madman miniseries debuted from Tundra Publishing. The series gained further recognition with its move to Dark Horse Comics in April 1994, where it was relaunched as Madman Comics and went on to be nominated for several Harvey Awards. Madman Comics ran for 20 issues and ended in 2000. From 2007–2009, Image Comics published Madman: Atomic Comics for 17 issues.
When Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular (some 8 million copies were sold in Japan) for its powerful, epic samurai story and its stark and gruesome depiction of violence during Tokugawa era Japan.
Lone Wolf and Cub is one of most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos. The story spans 28 volumes of manga, with over 300 pages each (totaling over 8,700 pages in all). Many of the frames of the series are hauntingly beautiful depictions of nature, historical locations in Japan and traditional activities done in the classical ukiyo-e style.
Lone Wolf and Cub was initially released in North America in a translated English edition by First Comics in 1987, as a series of monthly, comic-book-sized, square-bound prestige-format black-and-white comics containing between 64 and 128 pages, with covers by Frank Miller, and later by Bill Sienkiewicz, Matt Wagner, Mike Ploog, and Ray Lago. Sales were initially strong, but fell sharply as the company went into a general decline. First Comics shut down in 1991 without completing the series, publishing less than a third of the total series in 45 prestige-format issues.
Starting in September 2000, Dark Horse Comics began to release the full series in 28 smaller-sized trade paperback volumes, similar to the volumes published in Japan, completing the series with the 28th volume in December 2002. Dark Horse reused all of Miller’s covers from the First Comics edition, as well as several done by Sienkiewicz, and commissioned Wagner, Guy Davis, and Vince Locke to produce new covers for several volumes of the collections. In October 2012, Dark Horse completed the release of all 28 volumes in digital format, as part of their “Dark Horse Digital” online service.
The series centers around the artificial planet Archernar IV and it’s two native sentient species, the Archernariansand Crawlers. The series begins at the start of the Enterprise‘s five-year mission at the start of contact with Archernar, and then skips ahead to the Enterprise‘s final mission to the planet as it prepares to join the Federation. At the conclusion of the Archernar mission the Enterprise returns to Earth, with the crew moved by the mission to take on new roles, as seen at the start of Star Trek: The Motion Picture.
Upon Warren’s bankruptcy shortly afterward, Harris Publications acquired the company assets at auction in August 1983, although legal murkiness and a 1999 lawsuit by Warren publisher James Warren resulted in his re-acquisition of the rights to sister publications Creepy and Eerie. Harris Comics published Vampirella stories in various series and miniseries from 1991 to 2007. Harris also published Vampirella #113, a one-issue continuation of the original series, containing solely reprinted stories, in 1988.
Jim is a series created by Jim Woodring. It began in 1980 as a self-published zine and was picked up by Fantagraphics Books in 1986 after cartoonist Gil Kane introduced Woodring to Fantagraphics co-owner Gary Groth. The publisher released four magazine-sized black-and-white issues starting in September 1987. A comic book-sized continuation, Jim Volume II, with some color, began in 1993 and ran for six issues until 1996.
Jim, which Woodring described as an “autojournal”, contained comics on a variety of subjects, many based on dreams, as well as surreal drawings and free-form text which resembled Jimantha automatic writing. Besides dreams, the work drew on Woodring’s childhood experiences, hallucinations, past alcoholism, and Hindu beliefs. It also included stories of recurring Woodring characters such as Pulque (the embodiment of drunkenness), boyhood friends Chip and Monk, and, in Volume II, his signature creation Frank.
From Hell is a graphic novel by writer Alan Moore and artist Eddie Campbell, originally published in serial form from 1989 to 1996 and collected in 1999. Set during the Whitechapel murders of the late Victorian era, the novel speculates upon the identity and motives of Jack the Ripper. The novel depicts several true events of the murders, although portions have been fictionalised, particularly the identity of the killer and the precise nature and circumstances of the murders. The title is taken from the first words of the “From Hell” letter, which some authorities believe was an authentic message sent from the killer in 1888.
Upon Warren’s bankruptcy, Harris Publications acquired the company assets at auction in August 1983, although legal murkiness and a 1999 lawsuit by Warren publisher James Warren resulted in his reacquisition of the rights to sister publications Creepy and Eerie. Harris Comics published Vampirella stories in various series and miniseries from 1991 to 2007. Harris also published Vampirella #113, a one-issue continuation of the original series, containing solely reprinted stories, in 1988.