Marvel Comics published Logan’s Run in 1977, with George Pérez drawing five issues between January and May 1977, with “acceptable” sales. The comics adapted the film’s story in five issues and briefly continued beyond. In his art, Pérez sought to follow the art direction of the film. The book was cancelled after issue #7 in July 1977.
During the summer of 1973, Englehart and artists Bob Brown and Sal Buscema produced “The Avengers-Defenders Clash” storyline which crossed over between the two team titles. “The Celestial Madonna” arc linked Mantis’ origins to the very beginnings of the Kree-Skrull conflict in a time-spanning adventure involving Kang the Conqueror, and Immortus, who were past and future versions of each other. Mantis was revealed to be the Celestial Madonna, who was destined to give birth to a being that would save the universe. It was revealed that the Vision’s body had only been appropriated, and not created by Ultron, and that it originally belonged to the 1940s Human Torch. With his origins clear to him, the Vision proposed to the Scarlet Witch. The “Celestial Madonna” saga ended with their wedding, presided over by Immortus. The Beast and Moondragon joined the team soon after. George Pérez became the title’s artist with issue #141 (Nov. 1975) which saw the start of a seven-part story featuring the Squadron Supreme and the Serpent Crown. In 2010, Comics Bulletin ranked Englehart’s run on The Avengers eighth on its list of the “Top 10 1970s Marvels”.
Morbius, the Living Vampire, introduced in The Amazing Spider-Man #101 (Oct. 1971), became the starring feature with Adventure into Fear #20 (Feb. 1974), and continued through the rest of the run. After a single issue by writer Mike Friedrich and penciler Paul Gulacy, Steve Gerber wrote several issues in which Morbius went on a picaresque interdimensional journey and fought the Caretakers of Arcturus and was advised by the eyeball-headed character I. Doug Moench and Bill Mantlo followed, successively, as the feature’s writers. Its round-robin of artists included Gil Kane, P. Craig Russell, Frank Robbins, George Evans, and Don Heck. Back up reprints shortly resumed in issue #20. Morbius would receive his own short-lived comic-book series in the 1990s.
The series centered on the exploits of Vanth Dreadstar and his crew—powerful mystic Syzygy Darklock, the cybernetic telepath Willow, cat-like humanoid Oedi, and freebooter Skeevo. Vanth, newly arrived in the Empirical Galaxy after the events of Metamorphosis Odyssey, tries to live a pastoral existence on Oedi’s planet of peaceful cat-people, but his peace is disturbed by the arrival of Darklock, who wants him to get involved in the conflict between the two major forces in the galaxy, the Monarchy and the theocratical Instrumentality. Vanth refuses until the war comes to his planet, wiping out most of the population. Oedi survives and joins them; Willow and Skeevo join later, though the team is in place for the first issue.
Dreadstar takes the side of the Monarchy against the evil Lord High Papal of the Instrumentality, but his team end up becoming fugitives when the Monarchy falls, and go to great lengths to try to uncover a traitor in their midst. The transition to First Comics happened just when the traitor was about to be revealed, and the first issue published under First Comics, #27 contained this revelation.
The Werewolf by Night character (birth name Jacob Russoff, legal name Jacob Russell, nicknamed Jack) first appeared in Marvel Spotlight #2 (Feb. 1972) and was based on an idea by Roy Thomas. The series name was suggested by Stan Lee and the debut story was crafted by Gerry Conway and Mike Ploog. The character made additional appearances in Marvel Spotlight #3 and #4 and then graduated to his own eponymous series in September 1972. Jack Russell co-starred with Tigra in Giant Size Creatures #1 (July 1974), which was the first appearance of Greer Grant as Tigra instead of the Cat. That series was retitled Giant-Size Werewolf with its second issue.
The series was launched with an April 1985 cover dated issue by writer Louise Simonson and penciller Greg LaRocque and featured the return of Spider-Man’s alien black costume, which attempted to rebond with Peter Parker. Peter managed to rid himself of the costume again using church bells and the alien was presumed to have died after that. The first issue featured a cover painting by artist Charles Vess.
In issue #18 (September 1986), Peter Parker is pushed in front of an oncoming train. He thinks to himself that this should not have happened, as his spider-sense would have warned him of the danger. Writer David Michelinie has said that he wrote this as the first “teaser” appearance of the characterVenom, whom he was planning to introduce at a later date. Venom is an amalgam of reporter Eddie Brock and the alien costume. The costume could nullify Spider-Man’s spider-sense, and this was the first clue of a puzzle that Michelinie was planning to weave to introduce Venom.
Web of Spider-Man Annual #2 (1986) featured stories drawn by Arthur Adams and Mike Mignola. A followup to the Spider-Man vs. Wolverine one-shot appeared in issue #29. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod began in issue #31 (October 1987).
Peter Parker, The Spectacular Spider-Man debuted on December 1976. Shortened to simply The Spectacular Spider-Man with #134 (Jan. 1988), this was the second Amazing Spider-Man monthly comic-book spin-off series, after Marvel Team-Up, which also featured Spider-Man. The monthly title ran 264 issues (including a #-1 issue) until November 1998.
The series was launched by writer/editor Gerry Conway and artist Sal Buscema and Mike Esposito. Buscema drew the title until mid-1978. After Buscema’s departure, a succession of artists (including Mike Zeck, Jim Mooney, Ed Hannigan and Greg LaRocque) penciled the series for approximately five years. Frank Miller, who would later become the artist on Daredevil, first drew the character in Peter Parker, The Spectacular Spider-Man #27.
The Tomb of Dracula was published by Marvel Comics from April 1972 to August 1979. The 70-issue series featured a group of vampire hunters who fought Count Dracula and other supernatural menaces. On rare occasions, Dracula would work with these vampire hunters against a common threat or battle other supernatural threats on his own, but more often than not, he was the antagonist rather than protagonist. In addition to his supernatural battles in this series, Marvel’s Dracula often served as a supervillain to other characters in the Marvel Universe, battling the likes of Blade, Spider-Man, Werewolf by Night, the X-Men, and the licensed Robert E. Howard character Solomon Kane.
Devil Dinosaur and Moon-Boy are the creations of artist Jack Kirby who scripted and penciled all nine issues of the first series. Devil Dinosaur was created during Kirby’s third stint at Marvel (1975–1978). Having learned that DC Comics was working on an animated series featuring Kirby’s Kamandi, Marvel attempted to one-up their competitor by instructing Kirby to create a series similar to Kamandi, but incorporating a dinosaur co-star, since dinosaurs were hugely popular with young audiences of the time. The resulting Devil Dinosaur series was short lived, lasting only nine months (April – December 1978), and the proposed animated series never entered development. The original Devil Dinosaur series chronicled Devil and Moon-Boy’s adventures in their home, “Dinosaur World”. After the cancellation of Devil Dinosaur, the character’s appearances were relegated to one-shot comics, cameos, and supporting roles in other series.
The “Dark Phoenix Saga” in 1980 led to a change in the line-up of the team, with the death of Phoenix (Jean Grey), and Cyclops leaving the team to mourn for her. Comics writers and historians Roy Thomas and Peter Sanderson observed that “‘The Dark Phoenix Saga’ is to Claremont and Byrne what ‘the Galactus Trilogy‘ is to Stan Lee and Jack Kirby. It is a landmark in Marvel history, showcasing its creators’ work at the height of their abilities.” The storyline also saw the introduction of recurring antagonists the Hellfire Club, and its Inner Circle consisting of Sebastian Shaw, Emma Frost, Harry Leland, Donald Pierce, along with Mastermind, previously a member of Magneto’s Brotherhood. The new teenage mutant Kitty Pryde was introduced in #129 (Jan. 1980) and joined the X-Men in #139. The Dazzler, a disco-singing, roller-skating mutant, was introduced in #130 (Feb. 1980), but did not join the team, instead headlining her own solo title.
A new Brotherhood of Evil Mutants, led by Mystique, was introduced in the “Days of Future Past” storyline (#141-#142, Jan–Feb 1981) in which a time-travelling Kitty Pryde tried to avert a dystopian future caused by the Brotherhood assassinating Presidential candidate Senator Robert Kelly. Byrne plotted the story wanting to depict the Sentinels as a genuine threat to the existence of the mutant race. He then left the series after #143, being replaced by a returning Cockrum, who in turn was succeeded by Paul Smith and John Romita Jr.