Giant-Size Super-Heroes was intended to be an ongoing series. However, only one issue was published and the series was rennamed Giant-Size Spider-Man with rebooted numbering instead. Morbius the Living Vampire in stalking Manhattan again! His first target is John Jameson, the Man-Wolf; and his second one ? the Amazing Spider-Man! Once Morbius reattaches the moonstone to John Jameson’s neck, the Man-Wolf becomes his to command! Now under the cover of darkness, the deadly duo heads to Empire State University to break into the research laboratory, but the ever-present web-slinger intercepts them along the way! Can Spider-Man defeat these two creatures of the night?
Morbius, the Living Vampire, introduced in The Amazing Spider-Man #101 (Oct. 1971), became the starring feature with Adventure into Fear #20 (Feb. 1974), and continued through the rest of the run. After a single issue by writer Mike Friedrich and penciler Paul Gulacy, Steve Gerber wrote several issues in which Morbius went on a picaresque interdimensional journey and fought the Caretakers of Arcturus and was advised by the eyeball-headed character I. Doug Moench and Bill Mantlo followed, successively, as the feature’s writers. Its round-robin of artists included Gil Kane, P. Craig Russell, Frank Robbins, George Evans, and Don Heck. Back up reprints shortly resumed in issue #20. Morbius would receive his own short-lived comic-book series in the 1990s.
The “Dark Phoenix Saga” in 1980 led to a change in the line-up of the team, with the death of Phoenix (Jean Grey), and Cyclops leaving the team to mourn for her. Comics writers and historians Roy Thomas and Peter Sanderson observed that “‘The Dark Phoenix Saga’ is to Claremont and Byrne what ‘the Galactus Trilogy‘ is to Stan Lee and Jack Kirby. It is a landmark in Marvel history, showcasing its creators’ work at the height of their abilities.” The storyline also saw the introduction of recurring antagonists the Hellfire Club, and its Inner Circle consisting of Sebastian Shaw, Emma Frost, Harry Leland, Donald Pierce, along with Mastermind, previously a member of Magneto’s Brotherhood. The new teenage mutant Kitty Pryde was introduced in #129 (Jan. 1980) and joined the X-Men in #139. The Dazzler, a disco-singing, roller-skating mutant, was introduced in #130 (Feb. 1980), but did not join the team, instead headlining her own solo title.
A new Brotherhood of Evil Mutants, led by Mystique, was introduced in the “Days of Future Past” storyline (#141-#142, Jan–Feb 1981) in which a time-travelling Kitty Pryde tried to avert a dystopian future caused by the Brotherhood assassinating Presidential candidate Senator Robert Kelly. Byrne plotted the story wanting to depict the Sentinels as a genuine threat to the existence of the mutant race. He then left the series after #143, being replaced by a returning Cockrum, who in turn was succeeded by Paul Smith and John Romita Jr.
Marvel Comics‘ then-publisher Stan Lee said in 1978, shortly after Spider-Woman’s debut in Marvel Spotlight #32 (Feb. 1977) and the start of the character’s 50-issue self-titled series (cover-datedApril 1978 – June 1983), the character originated because,
I suddenly realized that some other company may quickly put out a book like that and claim they have the right to use the name, and I thought we’d better do it real fast to copyright the name. So we just batted one quickly, and that’s exactly what happened. I wanted to protect the name, because it’s the type of thing [where] someone else might say, ‘Hey, why don’t we put out a Spider-Woman; they can’t stop us.’ … You know, years ago we brought out Wonder Man, and [DC Comics] sued us because they had Wonder Woman, and … I said okay, I’ll discontinue Wonder Man. And all of a sudden they’ve got Power Girl [after Marvel had introduced Power Man]. Oh, boy. How unfair.
The Werewolf by Night character (birth name Jacob Russoff, legal name Jacob Russell, nicknamed Jack) first appeared in Marvel Spotlight #2 (Feb. 1972) and was based on an idea by Roy Thomas. The series name was suggested by Stan Lee and the debut story was crafted by Gerry Conway and Mike Ploog. The character made additional appearances in Marvel Spotlight #3 and #4 and then graduated to his own eponymous series in September 1972. Jack Russell co-starred with Tigra in Giant Size Creatures #1 (July 1974), which was the first appearance of Greer Grant as Tigra instead of the Cat. That series was retitled Giant-Size Werewolf with its second issue.
Marvel Comics published 55 issues of a King Conan series from 1980-1989 (retitled Conan the King from #20-onward)
Devil Dinosaur and Moon-Boy are the creations of artist Jack Kirby who scripted and penciled all nine issues of the first series. Devil Dinosaur was created during Kirby’s third stint at Marvel (1975–1978). Having learned that DC Comics was working on an animated series featuring Kirby’s Kamandi, Marvel attempted to one-up their competitor by instructing Kirby to create a series similar to Kamandi, but incorporating a dinosaur co-star, since dinosaurs were hugely popular with young audiences of the time. The resulting Devil Dinosaur series was short lived, lasting only nine months (April – December 1978), and the proposed animated series never entered development. The original Devil Dinosaur series chronicled Devil and Moon-Boy’s adventures in their home, “Dinosaur World”. After the cancellation of Devil Dinosaur, the character’s appearances were relegated to one-shot comics, cameos, and supporting roles in other series.
Peter Parker, The Spectacular Spider-Man debuted on December 1976. Shortened to simply The Spectacular Spider-Man with #134 (Jan. 1988), this was the second Amazing Spider-Man monthly comic-book spin-off series, after Marvel Team-Up, which also featured Spider-Man. The monthly title ran 264 issues (including a #-1 issue) until November 1998.
The series was launched by writer/editor Gerry Conway and artist Sal Buscema and Mike Esposito. Buscema drew the title until mid-1978. After Buscema’s departure, a succession of artists (including Mike Zeck, Jim Mooney, Ed Hannigan and Greg LaRocque) penciled the series for approximately five years. Frank Miller, who would later become the artist on Daredevil, first drew the character in Peter Parker, The Spectacular Spider-Man #27.
One of Marvel’s revival Horror and Monster comics. It lasted for 38 issues, making it one of the longest running Monster Mags from Marvel in the 1970’s. The series contains stories from many comic legends including Jack Kirby, Steve Ditko, Gil Kane and Bernie Wrightson. Issues #6 contains a reprint of Tales to Astonish #13, which is the 1st appearance of Groot from Guardians of the Galaxy.
Charles Lippincott, Lucasfilm‘s publicity supervisor, initially approached Stan Lee in 1975 about publishing a Star Wars comic book prior to the film’s release to appeal to the film’s most likely audience. However, Lee declined to consider such a proposal until the film was completed, and was only persuaded otherwise in a second meeting arranged by Roy Thomas, who wanted to edit the series. Considering movie tie-in comics rarely sold well at that time, Lee negotiated a publishing arrangement with no royalties to Lucasfilm until sales exceeded 100,000 at which point legal arrangements could be revisited.
Marvel Comics Group published a series of Star Wars comic books from 1977 to 1986, lasting 107 issues and 3 annuals. According to former Marvel Editor-In-Chief Jim Shooter, the strong sales of Star Wars comics saved Marvel financially in 1977 and 1978. Marvel’s Star Wars series was one of the industry’s top selling titles in 1979 and 1980.The only downside for Marvel was that the 100,000 copy sales quota was surpassed quickly, allowing Lippincott to renegotiate the royalty arrangements from a position of strength.