After the end of Grant Morrison‘s run on X-Men vol. 2 titled New X-Men, the title was used for a new series, New X-Men: Academy X. The title was later shortened to simply New X-Men.
New X-Men: Academy X was launched during the X-Men ReLoad event. The Academy X subtitle was dropped from the title when the new creative team of Craig Kyle and Christopher Yost took over the series with issue #20.
Whereas the other X-Men comics mostly deal with established adult mutants, this series concentrates on the lives of young students residing at the Xavier Institute for Higher Learning as they learn to control their powers.
A new Deathlok, Michael Collins, debuted in the miniseries Deathlok #1-4 (July-Oct. 1990, reprinted as Deathlok Special #1-4 the following year). He was the second Deathlok to be created in the modern era and also the second to be created for the traditional Marvel Universe. This second Deathlok went on to a 34-issue series cover-dated July 1991 to April 1994, plus two summer annuals in 1992 and 1993.
Carol Danvers, the first character to use the moniker Ms. Marvel, first appeared in Marvel Super-Heroes #13 (March 1968) by writer Roy Thomas and artist Gene Colan as a non-superpowered officer in United States Air Force. After being caught in an explosion with the Kree superhero Captain Marvel in Captain Marvel #18 (November 1969), Danvers resurfaces in Ms. Marvel #1 (January 1977) with super powers as result of the explosion which caused her DNA to merge with Captain Marvel’s. As Ms. Marvel, Danvers becomes a mainstay of the superhero team, The Avengers beginning in The Avengers #171 (May 1978). Danvers goes on to use the codenames Binary and Warbird. In July 2012, Danvers assumes the mantle Captain Marvel in honor of its dead, original holder, Mar-Vell, after Captain America tells her that Mar-Vell would want her to have it.
The storyline is the culmination of events from Silver Surfer vol. 3, #34 (Feb. 1990) and the two-issue miniseries The Thanos Quest (Sept.- Oct. 1990).
Thanos mounts the six Infinity Gems (collected in the Thanos Quest limited series) on his left glove to form the titular Infinity Gauntlet. Each Gem grants its bearer complete mastery over one aspect of the multiverse: Time, Space, Mind, Soul, Reality, and Power. Now all-powerful and desperate to win the affections of Death, Thanos decides to offer the entity a gift of love by completing a task she had given him, erasing half the sentient life in the universe (including most of the X-Men, Daredevil, and the Fantastic Four), quite literally with a snap of his fingers.
Additional plotlines not addressed in the main story were featured in other books published during the same time period.
The storyline led to two sequel miniseries, Infinity War and Infinity Crusade. All three series were the core of a company-wide crossover story.
Remender said, “There’s something that Cyclops said to (Captain America) on Utopia that’s ringing in his head. He didn’t do enough to help. And Steve (Captain America) is taking that to heart. Coming out of AvX with the landscape shifted and changed as much as it is, there are events that lead Steve to recognizing that he needs to do more”.
Writer-artist Walt Simonson took over as writer of Fantastic Four with #334 (December 1989), and three issues later began pencilling and inking as well. With brief inking exceptions, two fill-in issues, and a three-issue stint drawn by Arthur Adams, Simonson remained in all three positions through #354 (July 1991).
Simonson, who had been writing the team comic The Avengers, had gotten approval for Reed and Sue to join that team after Engelhart had written them out of Fantastic Four. Yet by The Avengers #300, where they were scheduled to join the team, Simonson was told the characters were returning to Fantastic Four. This led to Simonson quitting The Avengers after that issue. Shortly afterward, he was offered the job of writing Fantastic Four. Having already prepared a number of stories involving the Avengers with Reed and Sue in the lineup, he then rewrote these for Fantastic Four. Simonson later recalled that working on Fantastic Four allowed him the latitude to use original Avengers members Thor and Iron Man, which he had been precluded from using in The Avengers.
After another fill-in, the regular team of writer and Marvel editor-in-chief Tom DeFalco, penciller Paul Ryan and inker Dan Bulanadi took over, with Ryan self-inking beginning with #360 (Jan. 1992). That team, with the very occasional different inker, continued for years through #414 (July 1996). DeFalco nullified the Storm-Masters marriage by retconning that the alien Skrull Empire had kidnapped the real Masters and replaced her with a spy named Lyja. Once discovered, Lyja, who herself had fallen for Storm, helped the Fantastic Four rescue Masters. Ventura departed after being further mutated by Doctor Doom. Although some fans were not pleased with DeFalco’s run on Fantastic Four, calling him “The Great Satan”, the title’s sales increased over the period.
The Silver Surfer delves alone into the furthest depths of the void; tangling with organ-stealing pirates, demonic beasts and a race of alien aristocrats. Everyone’s favorite Cosmic Wanderer discovers that even in the midst of a galactic utopia, horror is never far away…With electrifying artwork by the dynamic Tan Eng Huat (Doom Patrol, Batman) and an endlessly inventive script by Simon Spurrier.
The first team of New Mutants characters was created by Chris Claremont and artist Bob McLeod. They first appeared in 1982’s Marvel Graphic Novel #4 and are subsequently featured in their own title from 1983 until 1991. Like its parent title, The New Mutants highlighted interpersonal and group conflict as well as action and adventure, and featured a large ensemble cast, including the introduction of cult figure Deadpool. With the end of the first series, the characters were relaunched as X-Force in a new, eponymous series.