The ‘Nam was a war comic book series detailing the U.S. War in Vietnam from the perspective of active-duty soldiers involved in the conflict. It was written by Doug Murray, initially illustrated by Michael Golden, edited by Larry Hama and published by Marvel Comics for seven years beginning in 1986, which was originally intended to roughly parallel the analogous events of the period of major American military involvement in Vietnam from 1965 to 1973.
Captain America continued from Tales of Suspense with artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry’s top artists and writers. It was called Captain America and the Falcon from #134 (Feb. 1971) to #222 (June 1978) although the Falcon’s name was not on the cover for issues #193, 200, and 216. The 1972–1975 run on the title by writer Steve Englehart and artist Sal Buscema saw the series become one of Marvel’s top-sellers. In 2010, Comics Bulletin ranked Englehart and Buscema’s run on Captain America fourth on its list of the “Top 10 1970s Marvels”. Kirby returned to the series as writer and penciler with issue #193 (Jan. 1975) ]and remained through #214 (Oct. 1977).
NYX is a limited series of comic books by Marvel Comics, consisting of seven issues, published between 2003 and 2005. It is written by Joe Quesada with art by Joshua Middleton (issues #1–4) and Rob Teranishi (issues #5-7). NYX stands for District X, New York City.
The series features homeless teenage mutants in New York City: time-freezing Kiden, shape-shifting Tatiana, body-shifting Bobby, his mysterious brother Lil Bro, the female-Wolverine X-23 and Cameron, a woman with no powers. The series featured the first comic book appearance of X-23, a character originally created on the X-Men: Evolution cartoon. Although the series was cancelled in 2005, 2009 saw the 6-issue miniseries, NYX: No Way Home.
Iron Man left two lives behind when he vanished, but can he avoid his former mistakes in his new one? The armored Avenger takes on Hydra, Heralds and the Hulk – and the eyes of the Marvel Universe are upon him in the form of Loki, the Watcher and Onslaught himself! Featuring Doc Samson and… or rather as …the Abomination! Plus: Rebel O’Reilly, later of Thunderbolts fame!
The Hulk first appeared in The Incredible Hulk #1 (cover dated May 1962), written by writer-editor Stan Lee, penciled and co-plotted by Jack Kirby, and inked by Paul Reinman. Lee cites influence from Frankenstein and Dr. Jekyll and Mr. Hyde in the Hulk’s creation. The Hulk’s original series was canceled with issue #6 (March 1963).
In the debut, Lee chose gray for the Hulk because he wanted a color that did not suggest any particular ethnic group. Colorist Stan Goldberg, however, had problems with the gray coloring, resulting in different shades of grey, and even green, in the issue. After seeing the first published issue, Lee chose to change the skin color to green. Green was used in retellings of the origin, with even reprints of the original story being recolored for the next two decades, until The Incredible Hulk vol. 2, #302 (December 1984) reintroduced the gray Hulk in flashbacks set close to the origin story. Since then, reprints of the first issue have displayed the original gray coloring, with the fictional canon specifying that the Hulk’s skin had initially been grey. An exception is the early trade paperback, Origins of Marvel Comics, from 1974, which explains the difficulties in keeping the gray color consistent in a Stan Lee written prologue, and reprints the origin story keeping the gray coloration.
Lee gave the Hulk’s alter ego the alliterative name Bruce Banner because he found he had less difficulty remembering alliterative names. Despite this, in later stories he misremembered the character’s name and referred to him as “Bob Banner”, an error which readers quickly picked up on. The discrepancy was resolved by giving the character the official full name of Robert Bruce Banner.
The aftermath of Wolverine’s death is explored in the series Wolverines. Sharp, Skel, Neuro, Endo, Junk, and the “Wolverines” (a team formed from the fallout of his death by Daken, Lady Deathstrike, Mystique, Sabretooth, and X-23) try to find Logan’s adamantium-covered body, which is taken by Mister Sinister. The group infiltrate Mister Sinister’s fortress to retrieve the body, but it is taken by the X-Men after a battle.
Nick Fury, Agent of S.H.I.E.L.D. vol. 3 was released in 1989. The series lasted 47 issues (Sept. 1989 – May 1993); its pivotal story arc was “the Deltite Affair”, in which many S.H.I.E.L.D. agents were replaced with Life Model Decoys in a takeover attempt.
The final feature in Astonishing Tales starred and introduced Deathlok, a conflicted cyborg who predated the popular movie character RoboCop by several years and has become one of the most enduring Marvel characters among those introduced in the 1970s; at least two major iterations of the character, featuring different individuals, starred in series in the 1990s and 2000s. Created by artist Rich Buckler, who devised the initial concept, and writer Doug Moench, the feature ran from #25-28 and 30-36 (Aug. 1974 – Feb. 1975 and June 1975 – July 1976), the final issue. Bill Mantlo scripted issues #32-35, with Buckler himself scripting the finale. Buckler described Deathlok as “an extension of a paranoid fantasy. He was a representation of part of my outlook and world view. He was a culmination of many of the messages in some of the music of the time. He was part of some of the things going wrong in our country at the time. Maybe he was the science that was going wrong.Artist George Pérez made his professional comics debut with a two-page backup feature in issue #25.
The team, created by Allan Heinberg and Jim Cheung, features numerous adolescent characters who typically have connections to established members of Marvel’s primary superhero team, the Avengers. The Young Avengers originally featured in a twelve issue run, later appearing in several notable Marvel crossover series, including the Civil War and The Children’s Crusade events, before the series was relaunched in January 2013 as part of the Marvel NOW! rebranding by writer Kieron Gillen and artist Jamie McKelvie.
The original series won the 2006 GLAAD Media Award for Outstanding Comic Book and the 2006 Harvey Award for Best New Series. The second volume by Kieron Gillen also received the award for Outstanding Comic Book at the 25th GLAAD Media Awards in 2014.
Created by Frank Miller, Elektra first appeared in Daredevil #168 (January 1981). Miller originally intended this issue, which was essentially a filler story, to be Elektra’s only appearance, but she instead became a frequently appearing villain in Daredevil until her death in issue #181 (April 1982). She was resurrected shortly after, but the story contained a narrative note which indicated that Daredevil would never encounter her again.
After over a decade’s absence, she reappeared in Daredevil #324-327 (January–April 1994), and went on to a brief stint as a supporting character in Wolverine (in #100-106). Daredevil writer D. G. Chichester recounted that he and editor Ralph Macchio had
bandied about the idea [of bringing back Elektra] in a casual fashion now and again, but neither of us wanted to do it as a gimmick. On the rare occasion I thought I had a legitimate angle to use her, Ralph was cool to the idea. But as we geared up for what would become Fall From Grace, Ralph out of the blue said, “What about bringing back Elektra?” — and it was really the missing piece that clicked together all the loose pieces of the story in my head, and became the nexus for everything tying together as well as it did. In my mind, it’s always been her to whom the title refers.
This upset Frank Miller, who claimed that Marvel had previously promised him that the character would not be used in any publication. She has since appeared in two eponymous ongoing series and several mini-series.