The Tomb of Dracula was published by Marvel Comics from April 1972 to August 1979. The 70-issue series featured a group of vampire hunters who fought Count Dracula and other supernatural menaces. On rare occasions, Dracula would work with these vampire hunters against a common threat or battle other supernatural threats on his own, but more often than not, he was the antagonist rather than protagonist. In addition to his supernatural battles in this series, Marvel’s Dracula often served as a supervillain to other characters in the Marvel Universe, battling the likes of Blade, Spider-Man, Werewolf by Night, the X-Men, and the licensed Robert E. Howard character Solomon Kane.
Ms. Marvel also plays a significant role in the 2008 storyline “Secret Invasion“, in which members of the shapeshifting alien race, the Skrulls, are revealed to have secretly infiltrated Earth by impersonating humans. She befriends Captain Marvel’s Skrull impostor and proves to him that she is not a Skrull by revealing intimate details about their life together. At the conclusion of the war with the Skrulls, Norman Osborn is placed in charge of the registered Avengers team. Refusing to serve under Osborn, Ms. Marvel flees Avengers Tower, and joins the New Avengers, becoming second-in-command. Osborn appoints former Thunderbolt member Moonstone (Karla Sofen) as the “new” Ms. Marvel to his Dark Avengers team; Moonstone wears a variation of Ms. Marvel’s original costume. Osborn engineers a battle that results in Danvers’s powers overloading, causing her apparent death. The character Moonstone takes over the title role in the ongoing Ms. Marvel series. Danvers returns with the aid of the New Avengers, a group of MODOK embryos (creations of the organization Advanced Idea Mechanics [AIM]), and a character known as the “Storyteller” and reclaims the title of Ms. Marvel from Karla Sofen.
The increased use of Carol Danvers as a prominent character in many story arcs throughout this decade eventually prompted one commentator to note that “she’s now the House of Ideas’ premier heroine”
Thor debuted in the science fiction/fantasy anthology title Journey into Mystery #83 (cover-date Aug. 1962), and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller-plotter Jack Kirby. A different version of the mythological Thor had appeared previously in Venus #12-13 (Feb.-April 1951).
In a 1984 interview Kirby said “I did a version of Thor for D.C. in the Fifties before I did him for Marvel. I created Thor at Marvel because I was forever enamored of legends, which is why I knew about Balder, Heimdall, and Odin. I tried to update Thor and put him into a superhero costume, but he was still Thor.” And in a 1992 interview, Kirby said “[I] knew the Thor legends very well, but I wanted to modernize them. I felt that might be a new thing for comics, taking the old legends and modernizing them.”
Journey into Mystery was retitled Thor (per the indicia, or The Mighty Thor per most covers) with issue #126 (March 1966). “Tales of Asgard” was replaced by a five-page featurette starring the Inhumans from #146–152 (Nov. 1967 – May 1968), after which featurettes were dropped and the Thor stories expanded to Marvel’s then-standard 20-page length.
Tony Stark’s health deteriorates, and he discovers the armor’s cybernetic interface is causing irreversible damage to his nervous system. His condition is aggravated by a failed attempt on his life by Kathy Dare, a mentally unbalanced former lover, which injures his spine, paralyzing him. Stark has a nerve chip implanted into his spine to regain his mobility. Stark’s nervous system continues its slide towards failure, and he constructs a “skin” made up of artificial nerve circuitry to assist it. Stark begins to pilot a remote-controlled Iron Man armor, but when faced with the Masters of Silence, the telepresence suit proves inadequate. Stark designs a more heavily armed version of the suit to wear, the “Variable Threat Response Battle Suit”, which becomes known as the War Machine armor. Ultimately, the damage to his nervous system becomes too extensive.
John Byrne stated, in both interviews and his website, that he drew a possible face for Wolverine, but then learned that Dave Cockrum had already drawn him unmasked in X-Men #98 (April 1976), long before Byrne’s run on the series. Later, Byrne used the drawing for the face of Sabretooth, an enemy of the martial artist superhero Iron Fist, whose stories Chris Claremont was writing. Byrne then conceived of the idea of Sabretooth being Wolverine’s father. Together, Byrne and Claremont came up with Wolverine being approximately 60 years old and having served in World War II after escaping from Sabretooth, who was approximately 120 years old. The plan had been for Wolverine to have been almost crushed in an accident; he would discover, when attempting to stand for the first time after recovering, that his healing factor does not work on bones, and his legs immediately break. He then spends over a decade in a hospital bed, almost going mad, when the Canadian government approaches him with the idea of replacing his skeleton one bone at a time with adamantium, the claws being a surprise. This origin, too, was never used.
X-Men Red is a sister book to X-Men Gold and X-Men Blue, which began ten months earlier. It follows events from the December 2017 miniseries Phoenix Resurrection: The Return of Jean Grey written by Matthew Rosenberg and illustrated by Leinil Francis Yu. The first issue, released February 7, 2018, was written by Tom Taylor and illustrated by Mahmud Asrar. It was available in ten different variant covers. Taylor’s initial plans for the series did not involve any crossovers with other comic series. The series was promoted as part of Marvel’s “Fresh Start“, a full company relaunch of publications.
Man-Thing’s solo title ran 22 issues (Jan. 1974 – Oct. 1975). Following Morrow, the main series’ primary pencillers were, successively, Val Mayerik, Mike Ploog, John Buscema, and Jim Mooney. A sister publication was the larger, quarterly Giant-Size Man-Thing #1-5 (August 1974 – August 1975), which featured 1950s horror-fantasy and 1960s science fiction/monster reprints as back-up stories, with a Howard the Duck feature added in the final two issues. The unintentional double entendre in the sister series’ title became a joke among comics readers.
In 2004 Thanos received an eponymous title that ran for 12 issues. After defeating the Hunger, Thanos went to the frontline and gave himself up to the Omega Corps. After a panicked action from the corps they send him to the Kyln. On his way he killed a Skrull agent to give them a reason to imprisoned him. On Kyln, a priest told him about the prison while Thanos is watching the Crunch. When the Priest left, Death appeared and talked to him, telling him She loves him in her way, and that he hadn’t given her anything that she didn’t already have.
Tales of Suspense became Captain America with #100 (April 1968) This series — considered Captain America volume one by comics researchers and historians, following the 1940s Captain America Comics and its 1950s numbering continuation of Tales of Suspense — ended with #454 (Aug. 1996).
In 1989, a third Moon Knight volume, titled Marc Spector: Moon Knight was published. It was the longest-running series, lasting sixty issues. This volume introduces Moon Knight’s teenage sidekick Jeff Wilde, also known as “Midnight,” the son of Midnight Man, a villain from the first volume of the series. At this time, Moon Knight first encounters the Black Cat. Turned into a cyborg by the Secret Empire, Midnight is seemingly killed in the “Round Robin” story arc of Amazing Spider-Man, spanning issues #353-#358.
The series was canceled with issue #60 (March 1994), with four of the last six issues drawn by Stephen Platt, who was hired by Image Comics based on the strength of his work on the series.