Carol Danvers, the first character to use the moniker Ms. Marvel, first appeared in Marvel Super-Heroes #13 (March 1968) by writer Roy Thomas and artist Gene Colan as a non-superpowered officer in United States Air Force. After being caught in an explosion with the Kree superhero Captain Marvel in Captain Marvel #18 (November 1969), Danvers resurfaces in Ms. Marvel #1 (January 1977) with super powers as result of the explosion which caused her DNA to merge with Captain Marvel’s. As Ms. Marvel, Danvers becomes a mainstay of the superhero team, The Avengers beginning in The Avengers #171 (May 1978). Danvers goes on to use the codenames Binary and Warbird. In July 2012, Danvers assumes the mantle Captain Marvel in honor of its dead, original holder, Mar-Vell, after Captain America tells her that Mar-Vell would want her to have it.
In the 1980s, Banner once again gained control over the Hulk, and gained amnesty for his past rampages; however, due to the manipulations of supernatural character Nightmare, Banner eventually lost control over the Hulk. It was also established that Banner had serious mental problems even before he became the Hulk, having suffered childhood traumas that engendered Bruce’s repressed rage. Banner comes to terms with his issues for a time, and the Hulk and Banner were physically separated by Doc Samson. Banner is recruited by the U.S. government to create the Hulkbusters, a government team dedicated to catching the Hulk. Banner finally married Betty in The Incredible Hulk #319 (May 1986) following Talbot’s death in 1981. Banner and the Hulk were reunited in The Incredible Hulk #323 (Sep. 1986) and with issue #324, returned the Hulk to his grey coloration, with his transformations once again occurring at night, regardless of Banner’s emotional state. In issue #347 the grey Hulk persona “Joe Fixit” was introduced, a morally ambiguous Las Vegas enforcer and tough guy. Banner remained repressed in the Hulk’s mind for months, but slowly began to reappear.
Man-Thing’s solo title ran 22 issues (Jan. 1974 – Oct. 1975). Following Morrow, the main series’ primary pencillers were, successively, Val Mayerik, Mike Ploog, John Buscema, and Jim Mooney. A sister publication was the larger, quarterly Giant-Size Man-Thing #1-5 (August 1974 – August 1975), which featured 1950s horror-fantasy and 1960s science fiction/monster reprints as back-up stories, with a Howard the Duck feature added in the final two issues. The unintentional double entendre in the sister series’ title became a joke among comics readers.
The aftermath of Wolverine’s death is explored in the series Wolverines. Sharp, Skel, Neuro, Endo, Junk, and the “Wolverines” (a team formed from the fallout of his death by Daken, Lady Deathstrike, Mystique, Sabretooth, and X-23) try to find Logan’s adamantium-covered body, which is taken by Mister Sinister. The group infiltrate Mister Sinister’s fortress to retrieve the body, but it is taken by the X-Men after a battle.
The Hulk first appeared in The Incredible Hulk #1 (cover dated May 1962), written by writer-editor Stan Lee, penciled and co-plotted by Jack Kirby, and inked by Paul Reinman. Lee cites influence from Frankenstein and Dr. Jekyll and Mr. Hyde in the Hulk’s creation. The Hulk’s original series was canceled with issue #6 (March 1963).
In the debut, Lee chose gray for the Hulk because he wanted a color that did not suggest any particular ethnic group. Colorist Stan Goldberg, however, had problems with the gray coloring, resulting in different shades of grey, and even green, in the issue. After seeing the first published issue, Lee chose to change the skin color to green. Green was used in retellings of the origin, with even reprints of the original story being recolored for the next two decades, until The Incredible Hulk vol. 2, #302 (December 1984) reintroduced the gray Hulk in flashbacks set close to the origin story. Since then, reprints of the first issue have displayed the original gray coloring, with the fictional canon specifying that the Hulk’s skin had initially been grey. An exception is the early trade paperback, Origins of Marvel Comics, from 1974, which explains the difficulties in keeping the gray color consistent in a Stan Lee written prologue, and reprints the origin story keeping the gray coloration.
Lee gave the Hulk’s alter ego the alliterative name Bruce Banner because he found he had less difficulty remembering alliterative names. Despite this, in later stories he misremembered the character’s name and referred to him as “Bob Banner”, an error which readers quickly picked up on. The discrepancy was resolved by giving the character the official full name of Robert Bruce Banner.
X-Men: Alpha was published in January, 1995, and launched the “Age of Apocalypse” crossover story. It briefly shows readers how many popular X-Men characters have changed in this new world. Bishop is reunited with Magneto while retaining fragmented memories of the true timeline. Magneto then assigns his X-Men and their allies with different missions. Some are to gather the forces needed to change history; while others will continue resisting Apocalypse. The story continues in eight interlocking miniseries, each focusing on a different team of X-Men or other mutant forces. Each miniseries temporarily replaced one of the monthly X-Men titles being published at the time.
The final part of the event, X-Men Omega, begins with Magneto battling Apocalypse. The remaining X-Men invade Apocalypse’s stronghold using Blink’s teleportation and capture the Beast. Meanwhile, the Angel, no longer trusted by Apocalypse, decides to switch sides and, after fighting off the Infinites, sacrifices himself by flying into Apocalypse’s force field generator and destroying it. This allows Nate Grey to enter Apocalypse’s citadel. As the nuclear attack wipes out half of Apocalypse’s western kingdom, he decides to kill Magneto. However Nate arrives and, along with Magneto, prepares to battle Apocalypse and Holocaust.
The Silver Surfer delves alone into the furthest depths of the void; tangling with organ-stealing pirates, demonic beasts and a race of alien aristocrats. Everyone’s favorite Cosmic Wanderer discovers that even in the midst of a galactic utopia, horror is never far away…With electrifying artwork by the dynamic Tan Eng Huat (Doom Patrol, Batman) and an endlessly inventive script by Simon Spurrier.
Nick Fury, Agent of S.H.I.E.L.D. vol. 3 was released in 1989. The series lasted 47 issues (Sept. 1989 – May 1993); its pivotal story arc was “the Deltite Affair”, in which many S.H.I.E.L.D. agents were replaced with Life Model Decoys in a takeover attempt.
One of Marvel’s revival Horror and Monster comics. It lasted for 38 issues, making it one of the longest running Monster Mags from Marvel in the 1970’s. The series contains stories from many comic legends including Jack Kirby, Steve Ditko, Gil Kane and Bernie Wrightson. Issues #6 contains a reprint of Tales to Astonish #13, which is the 1st appearance of Groot from Guardians of the Galaxy.
As part of their RessurXion event, a new ongoing series for Weapon X written by Greg Pak and illustrated by Greg Land was launched along with other new ongoing X-Men titles. This series takes place after the events seen in X-Men Prime when Lady Deathstrike gets kidnapped by the new version of Weapon X.