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Nexus V2 – Capital Comics

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Nexus is a comic book series created by writer Mike Baron and penciler Steve Rude in 1981. The series is a combination of the superhero and science fiction genres, set 500 years in the future.

The series debuted as a three-issue black-and-white limited series (the third of which featured a 33 RPM flexi disc with music and dialogue from the issue), followed by an eighty-issue ongoing full-color series. The black-and-white issues and the first six color issues were published by Capital Comics; after Capital’s demise, First Comics took over publication.

On the creation of the series: Baron noted that they had originally pitched a series called Encyclopaedias to Capital Comics, but the company rejected this, saying they were looking for a superhero title. Over a drink at a restaurant, Baron outlined his ideas for Nexus to Rude.

Nexus was entirely Baron’s idea. He even came up with the lightning bolt for the costume. All that we needed then was a name… a few weeks passed. Baron calls, and, without preamble, just says “Nexus.” We finally had our name.”

Tank Girl V1 (1991)

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Tank Girl is a British comic created by Jamie Hewlett and Alan Martin. The eponymouscharacter Tank Girl (Rebecca Buck) drives a tank, which is also her home. She undertakes a series of missions for a nebulous organization before making a serious mistake and being declared an outlaw for her sexual inclinations and her substance abuse. The comic centres on her misadventures with her boyfriend, Booga, a mutant kangaroo. The comic’s style was heavily influenced by punk visual art, and strips were frequently deeply disorganized, anarchic, absurdist, and psychedelic. The strip features various elements with origins in surrealist techniques, fanzines, collage, cut-up technique, stream of consciousness, and metafiction, with very little regard or interest for conventional plot or committed narrative.

The strip was initially set in a stylized post-apocalyptic Australia, although it drew heavily from contemporary British pop culture.

Hellboy: Seed of Destruction (1993)

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Before Hellboy was published independently at Dark Horse Comics, the concept was initially pitched to a board of directors for DC Comics, who loved it, but did not like the idea of it involving “Hell”.

The early stories were conceived and drawn by Mignola with a script written by John Byrne and some later stories have been crafted by creators other than Mignola, including Christopher Golden, Guy Davis, Ryan Sook, and Duncan Fegredo. The increasing commitments from the Hellboy franchise meant that the 2008 one-shot In the Chapel of Moloch was the first Hellboy comic Mignola had provided the script and art for since The Island in 2005.

Deadpool’s Secret Secret Wars (2016)

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NOT A SECRET WARS TIE-IN! Well…it is…but not THAT Secret Wars. Remember the original Secret Wars from 1984? And remember how Deadpool played a huge important role in it? Wait…you DON’T? Then you need to read this series immediately and be educated! From the team that brought you DEADPOOL KILLUSTRATED comes the most Secretest War of all!

Cosmic Odyssey (1988)

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Cosmic Odyssey is a science fiction mini-series, first published in 1988 by DC Comics. It was a four-issue limited series written by Jim Starlin, penciled by Mike Mignola and lettered by John Workman. The story tells a story spanning the DC Universe involving a wide variety of major characters including Superman, Batman, and the New Gods.

The series comprised four 48-page prestige format comic books.

Locke & Key: Keys to the Kingdom (2010)

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The Locke children have grown accustomed to the myriad magical keys discovered within the ancenstral family home of Keyhouse. The have also grown accustomed to tragedy. What they may not be prepared for is just how closely danger stalks their every move as Lucas Caravaggio, alias Kack Wells, continues his relentless quest for the key to the black door. New keys and old specters join the story as innocence is lost and determination is forged.

Wonder Woman V2 (2000’s)

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One of the events that led to Infinite Crisis was of Wonder Woman killing the villain Maxwell Lord in Wonder Woman Vol 2 #219. Maxwell Lord was mind-controlling Superman, who as a result was near to killing Batman. Wonder Woman tried to stop Superman, Lord (who was unable to mind control her) made Superman see her as his enemy Doomsday trying to kill Lois Lane. Superman then attacked Wonder Woman, and a vicious battle ensued. Buying herself time by slicing Superman’s throat with her tiara, Wonder Woman caught Lord in her Lasso of Truth and demanded to know how to stop his control over Superman. As the lasso forced the wearer to speak only the truth, Lord told her that the only way to stop him was to kill him. Left with no choice, Wonder Woman snapped Lord’s neck and ended his control over Superman. Unknown to her, the entire scene was broadcast live around every channel in the world by Brother Eye. The viewers were not aware of the entire situation, and saw only Wonder Woman murdering a Justice League associate. Wonder Woman’s actions put her at odds with Batman and Superman, as they saw Wonder Woman as a cold-blooded killer, despite the fact that she saved their lives.