Aquaman, published by DC Comics was created by Paul Norris and Mort Weisinger. The character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC’s anthology titles, Aquaman later starred in several volumes of a solo title. During the late 1950s and 1960s superhero-revival period known as the Silver Age, he was a founding member of the Justice League of America. In the 1990s Modern Age, Aquaman’s character became more serious than in most previous interpretations, with storylines depicting the weight of his role as king of Atlantis.
Later accounts reconciled both facets of the character, casting Aquaman as serious and brooding, saddled with an ill reputation, and struggling to find a true role and purpose beyond his public side as a deposed king and a fallen hero.
In 1991, Marvel revised the entire lineup of X-Books, centered on the launch of a second X-Men series, simply titled X-Men. With the return of Xavier and the original X-Men to the team, the roster was split into two strike forces: Cyclops’ “Blue Team” (chronicled in X-Men) and Storm’s “Gold Team” (in Uncanny X-Men).
It’s first issues were written by longstanding X-Men writer Chris Claremont and drawn and co-plotted by Jim Lee. Retailers pre-ordered over 8.1 million copies of issue #1, generating and selling nearly $7 million (though retailers probably sold closer to 3 million copies ), making it the best-selling comic book of all-time, according to Guinness Book of World Records, which presented honors to Claremont at the 2010 San Diego Comic-Con.
The series began in April–May 1975. Like its predecessor Secrets of Sinister House, Secrets of Haunted House was originally “hosted” by Cain, Abel, Eve, and Destiny who had moved over from Weird Mystery Tales. By issue #10 (Feb.–March 1978), Destiny was the only one of these who remained a regular. In issue #40 (Sept. 1981), Abel returned with no further mention of Destiny.
A Secrets of Haunted House Special was published in 1978 as part of the DC Special Seriesumbrella title. Secrets of Haunted House was a temporary victim of the “DC Implosion.” With issue #14 (Oct.–Nov. 1978), it was cancelled but revived a year later with issue #15 (Aug. 1979). The title continued until issue #46 (March 1982).
The actual Venomverse arc was released after the conclusion of the Edge of… miniseries, it was written by Cullen Bunn and drawn by Iban Coello, who had already worked toguether in Deadpool & the Mercs for Money. The editor Devin Lewis described it as “the biggest Venom story of all time”, and it intended to make Venom an important character in the Marvel universe. Bunn pointed that most of the other main characters were selected because they would seem unexpected hosts of the symbiote. Lewis mentioned Deadpool in particular, and said that “Deadpool is one of our main venomized protagonists. He’s got so much heart and he’s also a source of unpredictability, insanity, and goofiness”. Bunn preferred instead his version of Rocket Raccoon.
In April of 2015, DC began “Justice League: The Darkseid War”, which would be the final installment in Geoff Johns five year run of Justice League. The event consisted of 10 Justice League issues, 6 one-shots, and one Special issue. The story took hidden elements from John’s run as well as answering all questions posed since the beginning.
By issue #191 in May 2009, with estimated sales of 19,803 copies, Spawn had dropped below Top 100 titles sold monthly to comic shops as reported by Diamond Comic Distributors. As of August 2010 Spawn no longer was ranked in the top 300 sales figures chart reported by Diamond Comic Distributors. On the day of its release in 2011, issue #200 sold out. This issue featured work by Greg Capullo, David Finch, Michael Golden, Jim Lee, Rob Liefeld, Marc Silvestri, Danny Miki, and Ashley Wood. A second printing was released the next month. Despite its remarkable sales, it received a negative review from IGN.
The Fantastic Four debuted in The Fantastic Four #1 (Nov. 1961), which helped to usher in a new level of realism in the medium. The Fantastic Four was the first superhero team created by writer-editor Stan Lee and artist/co-plotter Jack Kirby, who developed a collaborative approach to creating comics with this title that they would use from then on. As the first superhero team title produced by Marvel Comics, it formed a cornerstone of the company’s 1960s rise from a small division of a publishing company to a pop culture conglomerate.
History of the DC Universe was an attempt to summarize the new history of the DC Universe to establish what was canonical after Crisis reformed the multiverse into a single universe.In the original planning of Crisis on Infinite Earths, the History would have formed the final two issues, following the destruction of the Multiverse at the Beginning of Time, but this was changed. History of the DC Universe had been one of the working titles for Crisis on Infinite Earths.
The loose plotline of the series involves the character Harbinger chronicling the past, present, and future of the post-Crisis DC Universe. The history is mostly told through one- and two-page splash pages, accompanied by brief prose. At the end of the series, Harbinger places the history in a capsule and launches it into space. In the subsequent series Millennium, this history is intercepted by the Manhunters and used against Earth’s superheroes.
The series was reprinted in hardcover by Graphitti Designs in 1988 with a painted cover by Bill Sienkiewicz. It featured additional material not included in the original series including an introduction by Wolfman and the following:
Charles Lippincott, Lucasfilm‘s publicity supervisor, initially approached Stan Lee in 1975 about publishing a Star Wars comic book prior to the film’s release to appeal to the film’s most likely audience. However, Lee declined to consider such a proposal until the film was completed, and was only persuaded otherwise in a second meeting arranged by Roy Thomas, who wanted to edit the series. Considering movie tie-in comics rarely sold well at that time, Lee negotiated a publishing arrangement with no royalties to Lucasfilm until sales exceeded 100,000 at which point legal arrangements could be revisited.
Marvel Comics Group published a series of Star Wars comic books from 1977 to 1986, lasting 107 issues and 3 annuals. According to former Marvel Editor-In-Chief Jim Shooter, the strong sales of Star Wars comics saved Marvel financially in 1977 and 1978. Marvel’s Star Wars series was one of the industry’s top selling titles in 1979 and 1980.The only downside for Marvel was that the 100,000 copy sales quota was surpassed quickly, allowing Lippincott to renegotiate the royalty arrangements from a position of strength.
On December 6, 2006, a new series was launched with the creative team of Geoff Johns (writer), Dale Eaglesham (pencils), and Alex Ross (cover art). The beginning of the new series showed JSA veterans the Flash, Green Lantern, and Wildcat choosing members of the new generation of superheroes to train. Continuing a major theme from the previous JSA title, this new series focused on the team being the caretakers of the superhero legacy from one generation to the next.