As he awaits the final moment for his master plan to come together, Ozymandias reflects on what brought him there and makes an autobiographical recording of his life that spans 1939-1985 (when the story of Watchmen takes place). We see his early studies and adventures, the beginnings of his financial empire and his crime-fighting career, and his first unnerving encounters with The Comedian and Doctor Manhattan—the latter of which prompted him to build his Antarctic fortress of Karnak, aid in resolving the Cuban Missile Crisis, and retire from crime-fighting to concentrate on saving the world at any cost. The story debuted to mostly positive reviews.
More than 1,000 issues were published, usually with multiple titles released every month. An exact accounting of the actual number of unique issues produced is difficult because occasional issue numbers were skipped and a number of reprint issues were also included. Nonetheless, the Overstreet Comic Book Price Guide lists well over 1,000 individual issues, ending with #1354. It currently holds the record for most issues produced of an American comic book; its nearest rivals, Action Comics and Detective Comics, ended their initial runs in 2011 at 904 issues and 881 issues, respectively. The first 25 issues are known as “series 1”; after they were published, the numbering began again and “series 2” began. Four Color published many of the first comics featuring characters licensed from Walt Disney.
The Silver Surfer delves alone into the furthest depths of the void; tangling with organ-stealing pirates, demonic beasts and a race of alien aristocrats. Everyone’s favorite Cosmic Wanderer discovers that even in the midst of a galactic utopia, horror is never far away…With electrifying artwork by the dynamic Tan Eng Huat (Doom Patrol, Batman) and an endlessly inventive script by Simon Spurrier.
Doomsday: Year One is a 1995 comic book one-shot annual, which tells stories about the character of Doomsday. Thus far, it is the only comic book released which is entirely about Doomsday. In this issue, Doomsday meets Darkseid for the first time and fights the Green Lantern Corps.
Cryptids. Aliens. Monsters. All the world’s bizarre secrets-what if they were real? Their existence would be debunked by a reality TV show! Hoax Hunters is that show, publicly disproving all variety of lore. But their real goal is the opposite: as the world’s dark corners surface, the Hoax Hunters cover them up. When a mysterious astronaut made of crows appears in Russia, the Hoax Hunters are on the case.
In the darkly humorous Lobo’s Back, Lobo is killed over and over again by one of his quarries but is refused entrance to both Heaven and Hell. As a result, the Main Man finds himself reincarnated in various forms, among them a woman and a squirrel. Furious but unfazed by his less than appealing new identities, the bounty hunter continues his mission.
The series focuses on a number of women who have been imprisoned at an off-planet prison known as the Auxiliary Compliance Outpost for being “non-compliant.” Narrative arcs move back and forth through time, presenting how the women were arrested in the first place as well as their various experiences within the prison.
The JSA remained inactive for some time after the events of “Zero Hour“, but the surviving members (the Flash, Wildcat, and Alan Scott, (now going by the name Sentinel) have remained active throughout the DC Universe, having been placed as reserve JLI members, as evidenced in Justice League Europe #50.
The Justice Society was revived as a monthly series called JSA in 1999 which mixed the few remaining original members with younger counterparts. This incarnation of the team focused on the theme of generational legacy and of carrying on the heroic example established by their predecessors. The series was launched by James Robinson and David S. Goyer. Goyer later co-wrote the series with Geoff Johns, who continued to write the series solo after Goyer’s departure. The series featured the art of Stephen Sadowski, Leonard Kirk, and Don Kramer, among others. It featured a story by Pulitzer Prize winner Michael Chabon.
During the events of Infinite Crisis, some of the surviving Golden Age characters, such as Wildcat and the Flash, are transported to the new “Earth-Two”, as created by Alexander Luthor, and seem to recall the existence of the original one, albeit vaguely.
In conjunction with the expanded Mars Attacks trading card set released in 1994, Topps issued a six-issue limited comic book series written by Keith Giffen and drawn by Charles Adlard. The series featured a “flip-cover” format, with 22 pages of the book following the story of the card set and six pages detailing previous encounters leading up to the invasion. The limited series was successful and led Topps to continue it as a regular series.