DC editors wanted to make changes to the character of Superman, including making him the sole survivor of his home planet Krypton, and Byrne’s story was written to show these changes and to present Superman’s origin. The series includes the baby Kal-El rocketing away from the destruction of Krypton, Clark Kent as a teenager in Smallville learning that he was found in a crashed space ship, his being hired at the Daily Planet in Metropolis, the creation of his secret identity of Superman, his first meeting with fellow hero Batman, and how he finally learned of his birth parents and from where he came. The series also included the reintroduction of a number of supporting characters, including fellow reporter and love interest Lois Lane and archenemy Lex Luthor, who was re-branded from a mad scientist to a powerful businessman.
Adventure Comics was published by DC Comics from 1938 to 1983 and revived from 2009 to 2011. In its first era, the series ran for 503 issues (472 of those after the title changed from New Adventure Comics), making it the fifth-longest-running DC series, behind Detective Comics, Action Comics, Superman, and Batman. It was revived in 2009 by writer Geoff Johns with the Conner Kent incarnation of Superboy headlining the title’s main feature, and the Legion of Super-Heroes in the back-up story. It returned to its original numbering with #516 (September 2010). The series finally ended with #529 (October 2011), prior to DC’s The New 52 company reboot.
In the late 70’s conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441–452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453–458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459–466), including such features as the resolution of Return of the New Gods (cancelled in July–August 1978), “Deadman“, and the “Justice Society of America“.
In April of 2015, DC began “Justice League: The Darkseid War”, which would be the final installment in Geoff Johns five year run of Justice League. The event consisted of 10 Justice League issues, 6 one-shots, and one Special issue. The story took hidden elements from John’s run as well as answering all questions posed since the beginning.
They’re galactic pariahs – the rejected and downtrodden scum of the universe: hated an despised by all. They’re the legion of illegitimate children of Lobo…and they’re none too fond of dear old daddy. But when Su, one of his daughters, unites a hundred spawn of Lobo to get revenge on their marauding pop, she must choose their plan of attack carefully, making sure that Lobo is in a certain place at a certain time…so she arranges to have Lobo drafted! Written by Keith Giffen and Alan Grant, with art and cover by Giffen.
In 1988, a three-issue mini-series by Howard Chaykin re-imagined the team during World War II yet again, this time with a notably more adult and gritty take on the characters. Chaykin, for the most part, eschewed the team dynamic so familiar to Blackhawk readers, instead crafting a politically charged espionage thriller that focused prominently on Blackhawk and a new version of Lady Blackhawk. Post-war stories respecting Chaykin’s continuity followed in Action Comics Weekly #601–608, #615–622, and #628–635, as well as in a monthly series that restarted with an issue #1 and ran 16 issues from March, 1989, to August, 1990.
In 1992, DC Comics published Blackhawk Special #1. Still respecting Chaykin’s continuity and set 10 years after the events of Blackhawk #16, the story spans a five-year period as Blackhawk seeks to avenge the death of team member André.
The initial Justice League lineup included seven of DC Comics’ superheroes who were regularly published at that time: Superman, Batman, Aquaman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman. Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Three of DC’s other surviving or revived characters, Green Arrow,the Atom, and Hawkman were added to the roster over the next four years.
The title’s early success was indirectly responsible for the creation of the Fantastic Four. In his autobiography Stan Lee relates how in 1961, during a round of golf, DC publisher Jack Liebowitz mentioned to Marvel-Timely owner Martin Goodman how well DC’s new book (Justice League) was selling. Later that day Goodman, a publishing trend-follower aware of the JLA’s strong sales, told Lee, his comics editor, to come up with a team of superheroes for Marvel.
The Demon was created by Jack Kirby. The titular character, named Etrigan, is a demon from Hell who, despite his violent tendencies, usually finds himself allied to the forces of good, mainly because of the alliance between the heroic characters of the DC Universe and Jason Blood, a human to whom Etrigan is bound.
Jack Kirby created the Demon in 1972 when his Fourth World titles were cancelled.According to Mark Evanier, Kirby had no interest in horror comics, but created Etrigan in response to a demand from DC for a horror character. Kirby was annoyed that the first issue sold so well that DC required him to remain on it and abandon the Fourth World titles before he was done with them. Etrigan was inspired by a comic strip of Prince Valiant in which the titular character dressed as a demon. Kirby gave his creation the same appearance as Valiant’s mask.
The new Giant line of comics — which will run across four monthly titles — will mix all-new original material by some of DC’s top creators with reprints for a 100-page package.
Creators working on the new material include such fan-favorites as Tom King, Brian Michael Bendis and the Harley Quinn writing team of Jimmy Palmiotti and Amanda Conner, each working on characters outside of their traditional range in the regular DC line, with Bendis working on his first solo Batman material in September — a 12-part story beginning in Batman Giant No. 3 — and Tom King taking on Superman with artist Andy Kubert for their own yearlong epic beginning in Superman Giant No. 3. Not to be left behind, Palmiotti and Conner will launch a 12-part Wonder Woman story in the third Justice League issue.