Detective Comics #1 vol. 2 (Nov. 2011) is the relaunch of Detective Comics. Story by Tony Daniel; art by Tony Daniel and Ryan Winn. The first issue of the relaunched Detective Comics has received six printings, second only to the relaunched Justice League which had seven printings.The series seventh issue was also DC Comic’s sixth highest selling digital comic, ranking above many other series in the Batman category. Scott West of Sciencefiction.com gave the series’ third arc a positive review, stating that “After last month’s disappointing ‘Night of the Owls’ tie-in issue, it’s nice to see ‘Detective Comics’ getting back to where it should be… good detective stories.” The relaunched Detective Comics received the award for “Best Series” at the 2012 Stan Lee Awards. The series’ first collected edition would reach the number one spot on The New York Times Best Seller list in the category of “Hardcover Graphic Books”.
Several incarnations of Hawkman have appeared in DC Comics, all of them characterized by the use of archaic weaponry and by large, artificial wings, attached to a harness made from the special Nth metal that allows flight. Most incarnations of Hawkman work closely with a partner/romantic interest named Hawkgirl or Hawkwoman.
Since DC’s continuity was rewritten in the 1985 series Crisis on Infinite Earths, Hawkman’s history has become muddled with several new versions of the character appearing throughout the years, some associated with ancient Egypt and some with the fictional planet Thanagar. These versions of the character have starred in several series of various durations.
With issue #174, EC Comics veteran Joe Orlando was hired by DC to take over as editor of House of Mystery. As the Comics Code Authority was now being challenged by both DC and Marvel over content restrictions, the series returned to its overt horror themes. The first issue under Orlando would be a reprint issue of old horror/suspense stories, as the new direction would truly begin with #175 (July–August 1968). The issue would introduce a new figure to the series, Cain, the “able care taker” of the House of Mystery who would introduce nearly all stories that would run in the series before its cancellation. Cain would also host the spin-off humor series Plop! and later become a recurring character in Blue Devil and The Sandman.
Artist Bernie Wrightson‘s first professional comic work was the story “The Man Who Murdered Himself” which appeared in issue #179 (March–April 1969)
House of Mystery was in the Dollar Comics format for issues #251 (March–April 1977) to #259 (July–August 1978). House of Mystery featured stories by writers T. Casey Brennan (#260, 267, 268 and 274) and Scott Edelman (#257, 258, 260, 264, 266, 270, 272, 273). Orlando’s tenure as editor ended with #257 (March–April 1978).
The release of Justice League Spectacular launched the revised Justice League titles with new writers and artists.The Justice League titles expanded to four by June 1993: Justice League America (formerly Justice League International), Justice League Europe (retitled as the second volume of Justice League International), Justice League Quarterly, and Justice League Task Force. In late 1994 Justice League International and Justice League Quarterly were cancelled and replaced by a new monthly title in January 1995, Extreme Justice.
Following Infinite Crisis, Wonder Woman was canceled and relaunched in 2006. It starts with Donna Troy as Wonder Woman and with Diana missing. When Diana returns she takes on the name of Diana Prince and becomes a secret agent for the Department of Metahuman Affairs. Her first assignment is to retrieve her kidnapped sister Donna Troy. After this was accomplished Diana took back the mantle of Wonder Woman.
The 2016 DC Comics title relaunch Rebirth incorporates several elements (such as the costume, the setting and some characters) from the Supergirl television series. The DC Rebirth initiative undid the New 52’s modern recreations, bringing DC’s heroes back to their more classic iterations. Supergirl’s new series (Volume 7) was titled Supergirl: Rebirth, written by Steven Orlando. The first arc was pencilled by Brian Ching, who also redesigned Supergirl’s costume in reference to a more classic look.
The Atom introduced in Showcase #34 (1961) is physicist and university professor Dr. Raymond Palmer, Ph.D. (He was named for real-life science fiction writer Raymond A. Palmer, who was himself quite short.) After stumbling onto a mass of white dwarf star matter that had fallen to Earth, he fashioned a lens which allowed him to shrink down to subatomic size. Originally, his size and molecular density abilities derived from the white dwarf star material of his costume, controlled by mechanisms in his belt, and later by controls in the palms of his gloves. Much later, he gained the innate equivalent powers within his own body. After the events of Identity Crisis, Ray shrank himself to microscopic size and disappeared. Finding him became a major theme of the Countdown year long series and crossover event.
The book follows the childhood memories of the narrator, illustrating various experiences in his life: fishing on the beach at dawn; his grandparents and how one grandfather went mad; a hunchback great-uncle; the betrayal of children by adults; fear of the unknown; an unwanted pregnancy, violence, possibly even murder.
The general story is paralleled with the traditional story of the Mr. Punch show, ‘The oldest, the wisest play’. The narrator is first introduced to Mr. Punch when fishing with his grandfather, but encounters it, and a mysterious ‘professor’ (Punch & Judy man), during various other activities. The story of Mr. Punch, is that he kills his baby, then his wife Judy and the police officer who comes to arrest him. He outwits a ghost, a crocodile and a doctor, convinces the hangman to be hanged in his place and, at the play’s end, even defeats the devil himself.
Like many of Gaiman’s works, a major theme in this graphic novel is memory and the unreliability of one’s own recollections.
Starting in 1969, writer Dennis O’Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a “grim avenger of the night”. O’Neil said his idea was “simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after.”
O’Neil and Adams first collaborated on the story “The Secret of the Waiting Graves” (Detective Comics #395, January 1970). Few stories were true collaborations between O’Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was “tremendous”. Giordano said: “We went back to a grimmer, darker Batman, and I think that’s why these stories did so well…” While the work of O’Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992. Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.