In February 2016, DC Comics announced that as part of the company’s continuity relaunch called DC Rebirth, Detective Comics would resume its original numbering system with June 2016’s #934. Before the New 52, Detective Comics volume 1 had 881 issues, and the New 52’s 52 issues, which ran from 2011 until 2016, were then added back into volume one, making Detective Comics #934 the premier issue following the events of 2016’s DC Rebirth. Writer James Tynion IV and artists Eddy Barrows and Alvaro Martinez are the creative team on the series which is published twice monthly. The series features a team initially consisting of Tim Drake, Stephanie Brown, Cassandra Cain and Clayface, led by Batman and Batwoman, with Batwing (Luke Fox) and Azrael (Jean-Paul Valley) later recruited following Tim’s apparent death and Stephanie leaving the team.
Writer Greg Rucka and artist Shawn Martinbrough became the creative team as of #742 (March 2000) and created the Sasha Bordeaux character is #751 (Dec. 2000). Issue #800 (Jan. 2005) was written by Andersen Gabrych and drawn by Pete Woods. Paul Dini became the writer of the series as of issue #821 (Sept. 2006) and created a new version of the Ventriloquist in #827 (March 2007).
The title’s 500th issue (March 1981) featured stories by several well-known creators including television writer Alan Brennert and Walter B. Gibson best known for his work on the pulp fiction character The Shadow. Also used during the 1980s was the use of serialization of the main Batman story, with stories from Detective Comics and Batman directly flowing from one book to another, with cliffhangers at the end of each book’s monthly story that would be resolved in the other title of that month. A single writer handled both books during that time beginning with Gerry Conway and followed up by Doug Moench. The supervillain Killer Croc made a shadowy cameo in issue #523 (Feb. 1983). Noted author Harlan Ellison wrote the Batman story in issue #567.
Writer Mike W. Barr and artists Alan Davis and Todd McFarlane crafted the “Batman: Year Two” storyline in Detective Comics #575-578 which followed up on Frank Miller’s “Batman: Year One“. Writer Alan Grant and artist Norm Breyfogle introduced the Ventriloquist in their first Batman story together and the Ratcatcher in their third (#585). Sam Hamm, who wrote the screenplay for Tim Burton‘s Batman, wrote the “Blind Justice” story in Detective Comics issues #598-600.
Detective Comics #1 vol. 2 (Nov. 2011) is the relaunch of Detective Comics. Story by Tony Daniel; art by Tony Daniel and Ryan Winn. The first issue of the relaunched Detective Comics has received six printings, second only to the relaunched Justice League which had seven printings.The series seventh issue was also DC Comic’s sixth highest selling digital comic, ranking above many other series in the Batman category. Scott West of Sciencefiction.com gave the series’ third arc a positive review, stating that “After last month’s disappointing ‘Night of the Owls’ tie-in issue, it’s nice to see ‘Detective Comics’ getting back to where it should be… good detective stories.” The relaunched Detective Comics received the award for “Best Series” at the 2012 Stan Lee Awards. The series’ first collected edition would reach the number one spot on The New York Times Best Seller list in the category of “Hardcover Graphic Books”.
During the 1980’s serialization was used in the main Batman story, with stories from Detective Comics and Batman directly flowing from one book to another, with cliffhangers at the end of each book’s monthly story that would be resolved in the other title of that month. A single writer handled both books during that time beginning with Gerry Conway and followed up by Doug Moench. The supervillain Killer Croc made a shadowy cameo in issue #523 (February 1983). Noted author Harlan Ellison wrote the Batman story in issue #567.
Writer Dennis O’Neil and artist Neal Adams had their first collaboration on Batman on the story “The Secret of the Waiting Graves” in issue #395 (Jan. 1970). The duo, under the direction of Schwartz, would revitalize the character with a series of noteworthy stories reestablishing Batman’s dark, brooding nature and taking the books away from the campy look and feel of the 1966-68 ABC TV series. Comics historian Les Daniels observed that “O’Neil’s interpretation of Batman as a vengeful obsessive-compulsive, which he modestly describes as a return to the roots, was actually an act of creative imagination that has influenced every subsequent version of the Dark Knight.”
O’Neil and artist Dick Giordano created the Batman supporting character Leslie Thompkins in the story “There Is No Hope in Crime Alley” appearing in issue #457 (March 1976). Writer Steve Englehart and artist Marshall Rogers produced an acclaimed run of Batman stories in Detective Comics #471-476 (Aug. 1977 – April 1978), and provided one of the definitive interpretations that influenced the 1989 Batman movie and would be adapted for the 1990s animated series. The Englehart and Rogers pairing, was described in 2009 by comics writer and historian Robert Greenberger as “one of the greatest” creative teams to work on the Batman character. From issue #481 (Dec. 1978 – Jan. 1979) through #495 (Oct. 1980), the magazine adopted the expanded Dollar Comics format.