After his first appearance in a 10-page story in Mystery Comics Digest #5, Dr. Spektor was spun off into his own title, The Occult Files of Doctor Spektor. The series ran for 24 issues (May 1973 – February 1977). His final original story appeared in one issue of Gold Key Spotlight (#8, August 1977). Jesse Santos replaced Spiegle as artist on the series, and remained there for the entire run.
Dr. Spektor appeared in all four issues of Gold Key’s Spine-Tingling Tales (1975–76), where he provided linking narration for some of the stories within. (These stories were reprints from Mystery Comics Digest that dealt with characters who later appeared in his title). He also had stories he narrated in Mystery Comics Digest #10, #11, #12, and #21, and articles in Golden Comics Digest #25, #26, and #33.
Under the Whitman Comics name, issue #25 was released in May 1982. It reprinted issue #1, but with a line-art cover instead of the original painted cover.
In 2014, Dynamite Entertainment released a new version of “Doctor Spektor”, written by Mark Waid and drawn by Greg Pak, as part of the company’s revival of several Gold Key characters (which also included Magnus, Robot Fighter, Dr. Solar and Turok)
The Locke children have grown accustomed to the myriad magical keys discovered within the ancenstral family home of Keyhouse. The have also grown accustomed to tragedy. What they may not be prepared for is just how closely danger stalks their every move as Lucas Caravaggio, alias Kack Wells, continues his relentless quest for the key to the black door. New keys and old specters join the story as innocence is lost and determination is forged.
For generations, Ripley’s Believe It or Not! told tales of the bizarre and uncanny, but which “were absolutely true—believe it or not!” In doing so, Ripley has introduced readers to everything from child prodigies who composed masterpieces before they turned 12, to great islands built by people throwing pebbles off into the water over a period of several generations.
In this series, previously entitled “True War Stories,” Ripley tends to stretch the bounds of credibility. Readers who do not dispute the existence of spirits may have trouble believing these thrilling tales of ghost ships, hauntings, and other supernatural phenomena. Then again, Ripley has always known how to tell a good yarn—whether you believe it or not!
Bartman was a short-lived series that told the tale of Bart Simpson’s superhero alter-ego, Bartman. It was one of the four ‘premiere’ series released by Bongo Comics in late 1993. The Bartman series lasted only six issues, and was canceled in 1995. Many smaller Bartman stories have since been published in Simpsons Comics and Bart Simpson comics.
The main writers and artists for the first three issues were Steve Vance and Bill Morrison, who were behind the creation of Bongo Comics itself. In late 1994, Steve Vance and his wife Cindy left Bongo Comics. The Bartman comic was put on hold and there was a gap of 9 months between Bartman #3 and #4. #4-6 contained a three-issue story arc written by Gary Glasberg and Bill Morrison, and with issue 6, Bartman was discontinued.
I, Lusiphur (December 1991-December 1992) – Poison Elves (February 1993-February 1995) Hayes originally self-published the series during the early 90s under his company Mulehide Graphics under the title of I, Lusiphur. The title was changed to Poison Elves because the similarity of Lusiphur to Lucifer led to the misconception that the series was Satanic in nature. Sales were reported to have increased significantly after the name change. Drew claimed in one of his Starting Notes that the name change was prompted by a letter from a teen-aged fan whose mother had thrown out his comics after finding I, Lusiphur comics amongst his collection.
The first ten issues of the Mulehide series were published in a larger magazine size format. In 1995, Drew Hayes signed on with Sirius Entertainment, a move that increased his exposure, fan base, and publishing rate. To date, ten trade paperbacks have been released, but the last issue of the main series published by Sirius was #79. Hayes died in 2007, thus bringing the series to an abrupt end. A commemorative issue #80 was released to give fans a look at sketches and plans Drew Hayes had for the future of the series before his death.
Rob Liefeld told Wizard magazine in 1994 that he was inspired by Gene Roddenberry and Steven Spielberg to create Prophet. The character first appeared in Youngblood #2, released by Image Comics in July 1992. Prophet was originally intended to appear in the pages of Marvel Comics‘ X-Force. Liefeld explained to Wizard: “He was going to show up around #6 or #7 in my original plans, and the cover to Youngblood #2 originally had X-Force members looking on instead of Youngblood members. I soon decided that I was going to work on stuff that was creator-owned, so I pulled the character of Prophet and saved him for later.”
The storyline in Youngblood led directly into Prophet’s own title, which lasted eleven issues (including a zero issue). A second series, written by Chuck Dixon, premiered in 1995 and lasted eight issues. A one-shot was released in 2000 by Awesome Comics.
Locke & Key is written by Joe Hill, illustrated by Gabriel Rodríguez and published by IDW Publishing. Set in the glare of a Depression-era summer, in which three Canuck gangsters carry out a heist and hide out at the Keyhouse. Locke & Key: Grindhouse includes an expanded ‘Guide to Keyhouse,’ which describes the mansion.