The Rocketeer’s first adventure appeared in 1982 as a backup feature in issues #2 and #3 of Mike Grell‘s Starslayer series from Pacific Comics. Two more installments appeared in Pacific’s showcase comic Pacific Presents #1 and 2. The fourth chapter ended in a cliffhanger that was later concluded in a special Rocketeer issue released by Eclipse Comics. The complete story was then collected by Eclipse in a single volume titled The Rocketeer.
The Rocketeer’s first adventure appeared in 1982 as a backup feature in issues #2 and #3 of Mike Grell‘s Starslayer series from Pacific Comics. Two more installments appeared in Pacific’s showcase comic Pacific Presents #1 and 2. The fourth chapter ended in a cliffhanger that was later concluded in a special Rocketeer issue released by Eclipse Comics. The complete story was then collected by Eclipse in a single volume titled The Rocketeer. It was published in three versions: a trade paperback edition, a trade hardcover, and a signed, limited edition hardcover. Noted fantasy author Harlan Ellison, a fan of the Rocketeer and also an acquaintance of Dave Stevens, wrote the introduction to the collection; both Dave Stevens and Harlan Ellison signed the limited edition on a specially bound-in bookplate.
The story was continued in the Rocketeer Adventure Magazine. Two issues were published by Comico Comics in 1988 and 1989; the third installment was not published until 1995, six years later by Dark Horse Comics. All three issues were then collected by Dark Horse into a glossy trade paperback titled The Rocketeer: Cliff’s New York Adventure that quickly went out-of-print.
Radioactive Man was one of the four “premiere” series released by Bongo Comics in late 1993. The series has been released in two volumes, an early run from 1993–1994, and the current run that’s been going on since 2000. Smaller Radioactive Man stories have also been published in Simpsons Comics. As a tie-in promotion of The Simpsons Movie a special “Radioactive Man Comic Book Edition #711” was sold at 7-Elevens as part of their Kwik-E-Mart promotion.
I, Lusiphur (December 1991-December 1992) – Poison Elves (February 1993-February 1995) Hayes originally self-published the series during the early 90s under his company Mulehide Graphics under the title of I, Lusiphur. The title was changed to Poison Elves because the similarity of Lusiphur to Lucifer led to the misconception that the series was Satanic in nature. Sales were reported to have increased significantly after the name change. Drew claimed in one of his Starting Notes that the name change was prompted by a letter from a teen-aged fan whose mother had thrown out his comics after finding I, Lusiphur comics amongst his collection.
The first ten issues of the Mulehide series were published in a larger magazine size format. In 1995, Drew Hayes signed on with Sirius Entertainment, a move that increased his exposure, fan base, and publishing rate. To date, ten trade paperbacks have been released, but the last issue of the main series published by Sirius was #79. Hayes died in 2007, thus bringing the series to an abrupt end. A commemorative issue #80 was released to give fans a look at sketches and plans Drew Hayes had for the future of the series before his death.
MAD is an American humor magazine founded in 1952 by editor Harvey Kurtzman and publisher William Gaines, launched as a comic book before it became a magazine. It was widely imitated and influential, affecting satirical media as well as the cultural landscape of the 20th century, with editor Al Feldstein increasing readership to more than two million during its 1974 circulation peak. As of January 2017, Mad has published 544 regular issues, as well as hundreds of reprint “Specials,” original material paperbacks, compilation books and other print projects.
For generations, Ripley’s Believe It or Not! told tales of the bizarre and uncanny, but which “were absolutely true—believe it or not!” In doing so, Ripley has introduced readers to everything from child prodigies who composed masterpieces before they turned 12, to great islands built by people throwing pebbles off into the water over a period of several generations.
In this series, previously entitled “True War Stories,” Ripley tends to stretch the bounds of credibility. Readers who do not dispute the existence of spirits may have trouble believing these thrilling tales of ghost ships, hauntings, and other supernatural phenomena. Then again, Ripley has always known how to tell a good yarn—whether you believe it or not!
Upon Warren’s bankruptcy shortly afterward, Harris Publications acquired the company assets at auction in August 1983, although legal murkiness and a 1999 lawsuit by Warren publisher James Warren resulted in his re-acquisition of the rights to sister publications Creepy and Eerie. Harris Comics published Vampirella stories in various series and miniseries from 1991 to 2007. Harris also published Vampirella #113, a one-issue continuation of the original series, containing solely reprinted stories, in 1988.
The Badger was originally published by the short-lived Capital Comics company and then First Comics. He was created by writer Mike Baron in 1983 and published through the early 1990s in a titular series that ended when First Comics also ceased all publications. Since the ongoing series ended in 1991, new Badger titles have been released through Dark Horse Comics, Image Comics and IDW Publishing.
Set in the suburbs of Seattle during the 1970s, the story follows a group of teenagers who contract a mysterious sexually transmitted disease referred to as “the Bug, which causes them to develop bizarre unique physical mutations and subsequently become social outcasts, many of them running away from home to live in the nearby woodland.