Upon Warren’s bankruptcy, Harris Publications acquired the company assets at auction in August 1983, although legal murkiness and a 1999 lawsuit by Warren publisher James Warren resulted in his reacquisition of the rights to sister publications Creepy and Eerie. Harris Comics published Vampirella stories in various series and miniseries from 1991 to 2007. Harris also published Vampirella #113, a one-issue continuation of the original series, containing solely reprinted stories, in 1988.
Following his introduction as Dr. M. T. Graves in Charlton Comics‘ Ghostly Tales #55 (cover-dated May 1966) in the three-page story “The Ghost Fighter” by writer-artist Ernie Bache, the character went on to host his own anthology title, The Many Ghosts of Doctor Graves. The series ran 72 issues (May 1967 – May 1982), generally published bimonthly. Following issue #60 (Jan. 1977), the title went on hiatus for seven months until issue #61 (Aug. 1977) before being canceled with #65 (May 1978). Charlton revived the title three years later with #66 (May 1981) before canceling it once more six issues later.
Among the artists whose work appeared were Steve Ditko, following his falling-out with Marvel Comics; newcomer Jim Aparo, later to be one of Batman‘s signature artists; regular Charlton talents including Vince Alascia, Pat Boyette, Pete Morisi, Rocke Mastroserio, and Charles Nicholas; and such others as Rich Larson, Don Newton and Tom Sutton. The cover of issue #54 (Dec. 1975) marks one of the earliest professional works of John Byrne.
Bram Stoker’s Dracula, a four-issue Topps comic book adaptation of Columbia Pictures’ (Sony Pictures Entertainment) 1992 film directed by Francis Ford Coppola which starred a young Keanu Reeves as Jonathan Harker, Winona Ryder as Mina Murray, Anthony Hopkins as Professor Abraham Van Helsing and Gary Oldman as Dracula. Topps Comics released a 120-page adaptation in 1993, written by Roy Thomas and drawn by Mike Mignola, one of the last projects before launching Hellboy.
Dawn is the goddess of birth and rebirth. While her appearance depends on who is viewing her, she is generally depicted as a young, red-haired woman with three “tears” running from her left eye (and two running from her right eye, on the few occasions that it has been shown); during the witch hunt, witches were discovered to only cry from their left eyes. She also has a rose on one wrist and a chain on the other. The rose represents Hell, and although it has beauty, it only pricks and hurts a person; the chain represents Heaven because a person can only go so far before they are stopped short by its restrictions. Dawn is the guardian of all the witches on Earth, and the goddess to whom they pray.
Dawn is shown in many different facets, shapes, sizes, and colors. She is generally depicted as a woman; Joseph Michael Linsner stresses that all women are goddesses. Dawn takes many shapes since all shapes are beautiful, and so are all women.
Valiant’s Solar, Man of the Atom began with three multi-part stories all written by Jim Shooter: “Alpha and Omega” with artwork by Barry Windsor-Smith and Bob Layton, spanned the first ten issues and told of the origin story of how the protagonist, Phil Seleski, became Solar, until the time he accidentally destroys the world; “Second Death”, with artwork by Don Perlin, Bob Layton and Thomas Ryder, spanned the first four issues and tells of Seleski’s attempt to prevent another version of himself from destroying the world; “First Strike”, with artwork by Don Perlin and Stan Drake, spanned issues #5 to #8 and follows Solar as he fights spider aliens. These first year stories included first appearances by Eternal Warrior, the Harbinger Foundation, Geomancers, and the X-O Manowar armor – all of which would be spun off into their own series.
MAD is an American humor magazine founded in 1952 by editor Harvey Kurtzman and publisher William Gaines, launched as a comic book before it became a magazine. It was widely imitated and influential, affecting satirical media as well as the cultural landscape of the 20th century, with editor Al Feldstein increasing readership to more than two million during its 1974 circulation peak. As of January 2017, Mad has published 544 regular issues, as well as hundreds of reprint “Specials,” original material paperbacks, compilation books and other print projects.
The series follows on from the events of 28 Days Later, initially taking place in the gap between it and the sequel, 28 Weeks Later, much like the graphic novel 28 Days Later: The Aftermath, and as such references the upcoming American NATO occupation. Issues 22, 23 and 24 directly reference events from the second movie, and takes place in the same time frame, ending with the Rage Virus spreading into mainland Europe.
- Unwin Paperbacks released a one-volume edition in 1990, with cover artwork by the original illustrator David Wenzel.
- Del Rey Books released a reprint collected in one volume in 2001. Its cover, illustrated by Donato Giancola, was awarded the Association of Science Fiction Artists Award for Best Cover Illustration in 2002.
After his first appearance in a 10-page story in Mystery Comics Digest #5, Dr. Spektor was spun off into his own title, The Occult Files of Doctor Spektor. The series ran for 24 issues (May 1973 – February 1977). His final original story appeared in one issue of Gold Key Spotlight (#8, August 1977). Jesse Santos replaced Spiegle as artist on the series, and remained there for the entire run.
Dr. Spektor appeared in all four issues of Gold Key’s Spine-Tingling Tales (1975–76), where he provided linking narration for some of the stories within. (These stories were reprints from Mystery Comics Digest that dealt with characters who later appeared in his title). He also had stories he narrated in Mystery Comics Digest #10, #11, #12, and #21, and articles in Golden Comics Digest #25, #26, and #33.
Under the Whitman Comics name, issue #25 was released in May 1982. It reprinted issue #1, but with a line-art cover instead of the original painted cover.
In 2014, Dynamite Entertainment released a new version of “Doctor Spektor”, written by Mark Waid and drawn by Greg Pak, as part of the company’s revival of several Gold Key characters (which also included Magnus, Robot Fighter, Dr. Solar and Turok)
The Flaming Carrot origin states that “having read 5,000 comics in a single sitting to win a bet, this poor man suffered brain damage and appeared directly thereafter as—the Flaming Carrot!”
The Carrot, who lives in Palookaville, a neighborhood of Iron City, has staved off at least three alien invasions, a Communist take over of Iron City, flying dead dogs, the Man in the Moon, Death itself, and a cloned horde of evil marching Hitler‘s boots. Possessing no real super powers, the Carrot wins the day through sheer grit, raw determination, blinding stupidity, and bizarre luck. Flaming Carrot even died in #6 (fell into a deep toxic waste pit in Palookaville), was brought back from clinical death in #7, described his sojourn in Limbo in #8 and got back at those who sent him to Limbo in #9.
Flaming Carrot was also a founding member of the blue collar superhero group the Mystery Men, introduced in a flashback/dream sequence in Flaming Carrot Comics #16. The story of this group was later made into the 1999 movie Mystery Men and a short-lived spin-off comic book series. The Flaming Carrot himself does not appear in the film, although a handful of characters like Mr. Furious, the Shoveler, and Dr. Heller do.