Fathom: Dawn of War bridges the gap between the original series and Fathom vol. 2. The story focuses on the Blue warrior Kiani, who is forced to side with the rebellious councilman Marqueses in order to save her master, Casque, from the clutches of human military scientists. Marqueses has engineered the situation in order to kidnap Casque and to secure the older warrior’s immense power for an offensive against the humans. Kiani tracks down Marqueses and saves Casque only to find he is part of the Black. The Black come for Casque, and he is forced to rejoin them, leaving Kiani angry and lost.
Dawn of War emphasizes Kiani’s loneliness and character development. It also introduces audiences further to the underwater world of the Blue.
In an attempt to prevent Wolverine from finding them, some members of the government send Nuke to stop him. Captain America, Cyclops, Emma Frost, and Hellion intervene. Frost reveals that Wolverine has a son, Daken, who is being controlled by the government the way Wolverine had been, and that Daken hates his father.
During the 1980’s serialization was used in the main Batman story, with stories from Detective Comics and Batman directly flowing from one book to another, with cliffhangers at the end of each book’s monthly story that would be resolved in the other title of that month. A single writer handled both books during that time beginning with Gerry Conway and followed up by Doug Moench. The supervillain Killer Croc made a shadowy cameo in issue #523 (February 1983).Noted author Harlan Ellison wrote the Batman story in issue #567.
A hologram on the cover of issue #90 (July 1992) marked the 30th anniversary of Spider-Man’s first appearance. A four-part crossover with Ghost Rider/Blaze: Spirits of Vengeance began in issue #95(December 1992). Spider-Man donned “Spider-Armor” in issue #100’s troy by Terry Kavanagh and Saviuk.
Rob Liefeld told Wizard magazine in 1994 that he was inspired by Gene Roddenberry and Steven Spielberg to create Prophet. The character first appeared in Youngblood #2, released by Image Comics in July 1992. Prophet was originally intended to appear in the pages of Marvel Comics‘ X-Force. Liefeld explained to Wizard: “He was going to show up around #6 or #7 in my original plans, and the cover to Youngblood #2 originally had X-Force members looking on instead of Youngblood members. I soon decided that I was going to work on stuff that was creator-owned, so I pulled the character of Prophet and saved him for later.”
The storyline in Youngblood led directly into Prophet’s own title, which lasted eleven issues (including a zero issue). A second series, written by Chuck Dixon, premiered in 1995 and lasted eight issues. A one-shot was released in 2000 by Awesome Comics.
In June 2016, the DC Rebirth event relaunched DC Comics’ entire line of comic book titles. Batman was rebooted as starting with a one-shot issue entitled Batman: Rebirth #1 (August 2016). The series then began shipping twice-monthly as a third volume, starting with Batman vol. 3, #1 (August 2016). The third volume of Batman was written by Tom King, and artwork was provided by David Finch and Mikel Janín. The Batman series introduced two vigilantes, Gotham and Gotham Girl.
DC Comics ended the Rebirth branding in December 2017, opting to include everything under a larger “DC Universe” banner and naming. The continuity established by Rebirth continues across DC’s comic book titles, including volume one of Detective Comics and the third volume of Batman.
Give Me Liberty was one of Frank Miller’s two creator-owned (the other was Hard Boiled) titles he took to Dark Horse after deciding to stop working for DC Comics after a dispute over a proposed ratings system.
The story is set in a dystopian near-future where the United States have split into several extremist factions, and tells the story of Martha Washington, a young American girl from a public housing project called “The Green” (see Chicago‘s Cabrini–Green). The series starts with Martha’s birth and sees her slowly grow up from someone struggling to break free of the public housing project, to being a war hero and major figure in deciding the fate of the United States.
The series was a mix of Miller’s typical action sequences as well as being a political satire of the United States and its major corporations. The series proved to be a huge success for Dark Horse and was one of the biggest selling independent comics of the time. A trade paperback was later released and Miller followed up Give Me Liberty with several sequels continuing the story. All of these sequels were drawn by Dave Gibbons and published by Dark Horse.
The Earth has been STOLEN! The sky burns while mysterious cosmic objects crash down from above, wreaking havoc across the world – and the Avengers are the last line of defense between Earth and the mysterious forces threatening to tear it apart. It’s time to ASSEMBLE almost everyone who has ever been an Avenger! All of the Avengers you know and love come together to face threats beyond any they’ve faced before – including the Black Order and the Lethal Legion. These two teams of powerful villains bent on destroying each other have arrived on Earth, and they don’t care who gets caught in the crossfire. And when the mysterious Challenger faces off against the Grandmaster, can the Earth survive the destruction they unleash? The Avengers are engaged in a game of cosmic proportions, but they don’t know the rules…and not everyone will survive! Plus: Who is Voyager? Valerie Vector, the forgotten founding Avenger, is revealed. And fan-favorite Avenger, Hulk, returns to the fold as the stakes in the battle for Earth become clear! Tension is high and peril is imminent, but there’s no option to surrender for the relentless Avengers!
Azrael first appeared in the 1992 series Batman: Sword of Azrael as Jean-Paul Valley.
He then became a supporting character in the monthly Batman titles, eventually taking over the role of Batman through the “Knightfall,” “Knightquest,” and “KnightsEnd” story arcs. One of the creators, Denny O’Neil, admitted to having difficulties with Azrael’s transition from villain to hero: “If I’d known he was to become a monthly character, I might have set him up differently … The problem is that I had to turn a bad guy into a real hero, not just an anti-hero or lead. It’s possible to do that, but it’s difficult to retain the original characterization. You almost have to change his personality.”