As part of DC Comics’ DC Rebirth relaunch in June 2016, Action Comics reverted to its original numbering beginning with Action Comics #957, with the series shipping twice-monthly. The series, written by Dan Jurgens, serves as a continuation of the comic book series, Superman: Lois and Clark, which featured the pre-Flashpoint Superman alongside his wife, Lois Lane, and their son, Jonathan Kent.
Spider-Man ran for 98 issues from 1990 to 1998. The series was re titled Peter Parker: Spider-Man with issue #75, but only on the covers, the series was still under its original Spider-Man title in the comic’s legal indicia, printed on the title page, from #75 to #98; the comic book would not officially be titled Peter Parker: Spider-Man until the volume 2 series relaunch.
The series originally was conceived as a showcase for Todd McFarlane. McFarlane, who until then had only been known as an artist, was hugely popular at the time and the series was created by editor Jim Salicrup so that McFarlane could pencil, ink, and write a Spider-Man title of his own, starting with the “Torment” storyline.
The series was a massive sales success with over 2.5 million copies printed. McFarlane stayed on the title until issue #16 (November 1991) in which the story was printed in a landscape format. He would go on to create the character Spawn and help found Image Comics in 1992. He was succeeded on the title by Erik Larsen, who had succeeded McFarlane on The Amazing Spider-Man two years earlier, and would later join him in the founding of Image. Larsen wrote and drew the six-issue story arc “Revenge of the Sinister Six” (#18–23). Writer Don McGregor and artist Marshall Rogers crafted a two-part story in issues #27–28 dealing with gun violence.
After that came a quick procession of different contributors, including writers Tom DeFalco, Ann Nocenti, David Michelinie, J. M. DeMatteis and Terry Kavanagh, and pencillers Ron Frenz, Klaus Janson and Jae Lee. The creative-team musical chairs settled with Spider-Man #44 (March 1994) when writer Howard Mackie and penciller Tom Lyle began a run on the title – Lyle through #61, and Mackie for over 6 years, through cancellation and into Vol. 2.
Initial issues of this volume reintroduced the characters, and provided new and divergent origins for them. Most characters resemble their previous counterparts in costume and powers, with the most notable exceptions including Chameleon Boy, now called simply Chameleon and depicted as an androgynous creature; Star Boy, who in this version of the Legion is black; Colossal Boy, who is now a giant who shrinks to human size; and Phantom Girl, who exists in two universes at once and has conversations with people in her own dimension while talking to Legionnaires at the same time.
Beginning with issue #16, The Legion of Super-Heroes (vol. 5) was retitled Supergirl and the Legion of Super-Heroes with Supergirl traveling to the future and joining the Legion. With issue #31, Tony Bedard replaced Waid as writer. The title reverted to The Legion of Super-Heroes with issue #37 and Jim Shooter became the writer. The series ended with issue #50, in which the script was credited to “Justin Thyme”, a pseudonym previously used by uncredited comic book artists.
In 2004 Thanos received an eponymous title that ran for 12 issues. After defeating the Hunger, Thanos went to the frontline and gave himself up to the Omega Corps. After a panicked action from the corps they send him to the Kyln. On his way he killed a Skrull agent to give them a reason to imprisoned him. On Kyln, a priest told him about the prison while Thanos is watching the Crunch. When the Priest left, Death appeared and talked to him, telling him She loves him in her way, and that he hadn’t given her anything that she didn’t already have.
Azrael first appeared in the 1992 series Batman: Sword of Azrael as Jean-Paul Valley.
He then became a supporting character in the monthly Batman titles, eventually taking over the role of Batman through the “Knightfall,” “Knightquest,” and “KnightsEnd” story arcs. One of the creators, Denny O’Neil, admitted to having difficulties with Azrael’s transition from villain to hero: “If I’d known he was to become a monthly character, I might have set him up differently … The problem is that I had to turn a bad guy into a real hero, not just an anti-hero or lead. It’s possible to do that, but it’s difficult to retain the original characterization. You almost have to change his personality.”
During his two years on the title, Roger Stern augmented the backgrounds of long-established Spider-Man villains, and with Romita Jr. created the mysterious supervillain the Hobgoblin in #238-239 (March–April 1983) Fans engaged with the mystery of the Hobgoblin’s secret identity, which continued throughout #244-245 and 249-251 (Sept.-Oct. 1983 and Feb.-April 1984). One lasting change was the reintroduction of Mary Jane Watson as a more serious, mature woman who becomes Peter’s confidante after she reveals that she knows his secret identity. Stern wrote “The Kid Who Collects Spider-Man” in The Amazing Spider-Man #248 (January 1984), a story which ranks among his most popular.
David Michelinie took over as writer in #290 (July 1987) that led to the marriage of Peter Parker and Mary Jane Watson in Amazing Spider-Man Annual #21. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod crossed over into The Amazing Spider-Man #293 and 294. Issue #298 (March 1988) was the first Spider-Man comic to be drawn by future industry star Todd McFarlane, the first regular artist on The Amazing Spider-Man since Frenz’s departure. McFarlane revolutionized Spider-Man’s look. His depiction – large-eyed, with wiry, contorted limbs, and messy, knotted, convoluted webbing – influenced the way virtually all subsequent artists would draw the character. McFarlane’s other significant contribution to the Spider-Man canon was the design for what would become one of Spider-Man’s most wildly popular antagonists, the supervillain Venom. Issue #299 (April 1988) featured Venom’s first appearance (a last-page cameo) before his first full appearance in #300 (May 1988). The latter issue featured Spider-Man reverting to his original red-and-blue costume.
Other notable issues of the Michelinie-McFarlane era include #312 (Feb. 1989), featuring the Green Goblin vs. the Hobgoblin; and #315-317 (May–July 1989), with the return of Venom. In July 2012, Todd McFarlane’s original cover art for The Amazing Spider-Man #328 sold for a bid of $657,250, making it the most expensive American comic book art ever sold at auction.
The Teenage Mutant Ninja Turtles was first published by Mirage Studios in 1984 in Dover, New Hampshire. The concept arose from a humorous drawing sketched out by Kevin Eastman during a casual evening of brainstorming and bad television with Peter Laird. Using money from a tax refund, together with a loan from Eastman’s uncle, the young artists self-published a single-issue comic intended to parody four of the most popular comics of the early 1980s: Marvel Comics’ Daredevil and New Mutants, Dave Sim’s Cerebus, and Frank Miller’s Ronin. The TMNT comic series has been published in various incarnations by various comic book companies since 1984.
After the events of Batman: Endgame that resulted in Bruce Wayne’s disappearance, Damian, as Robin, sets out on a globe-spanning journey to forge his own destiny and make amends for all of his wrongdoings in his own series, titled Robin: Son of Batman. Along his journey, he crosses paths with Ra’s and Talia al Ghul, Deathstroke, and a new character named Maya Ducard, daughter of the late villain, NoBody. Damian plays a particular role in Batman and Robin Eternal when the Bat-Family is pitted against Mother, a ruthless woman who believes that she can make her ‘children’ stronger by putting them through intense trauma. Returning to assist his fellow Robins as the crisis reaches its conclusion, Damian helps Dick, Jason and Tim regain confidence in themselves after Mother decimates their initial efforts against her by recalling a conversation he had with Bruce where Bruce noted that he is proud of how all three of the other Robins have different strengths, Bruce wanting his partners to find their own paths rather than blindly follow his own example.
Spider-Man 2099 was created by Peter David and Rick Leonardi in 1992 for Marvel Comics‘ Marvel 2099 line. His secret alter ego is Miguel O’Hara, a brilliant geneticist living in New York in the year 2099 A.D. who is attempting to recreate the abilities of the original Spider-Man in other people and later suffers a related accident that causes half his DNA to be re-written with a spider’s genetic code. O’Hara is the first Latino character to assume the identity of Spider-Man.
Angela was created by author Neil Gaiman and artist Todd McFarlane. She first appeared as a supporting antagonist in McFarlane’s creator-owned series Spawn, making her debut in issue #9 in March 1993, and later starring in her own self-titled miniseries. She is an angel and a bounty hunter, working under the auspices of Heaven to oppose Spawn.
Angela was later the subject of a legal battle between McFarlane and Gaiman over the rights to the character, which Gaiman won. Gaiman later sold the rights to the character to Marvel Comics; she was integrated into the Marvel Universe in the 2013 story “Age of Ultron“, and her character was expanded upon in the 2014 storyline “Original Sin“, where she was established to be the lost sister of Thor.