Showcase has been the title of several comic anthology series published by DC Comics. The general theme of these series has been to feature new and minor characters as a way to gauge reader interest in them, without the difficulty and risk of featuring “untested” characters in their own ongoing titles. The original series ran from March-April 1956 to September 1970 suspending publication with issue #93, and then was revived for eleven issues from August 1977 to September 1978.
In the view of comics historian Les Daniels, artist Curt Swan became the definitive artist of Superman in the early 1960s with a “new look” to the character that replaced Wayne Boring’s version. Writer Jim Shooter and Swan crafted the story “Superman’s Race With the Flash!” in Superman #199 (Aug. 1967) which featured the first race between the Flash and Superman, two characters known for their super-speed powers. Another Silver Age first is the “Death of Superman,” from 1961’s Superman #149, by Jerry Siegel, Curt Swan and Sheldon Moldoff. The Silver Age was a fantastic period for Superman fans, giving us characters such as Braniac, Bizzaro, Titano, Supergirl and The Legion of Superheroes.
Initially a science fiction anthology title with some continuing features starring SF protagonists, the series became a supernatural-fantasy title beginning with issue #202, for which it received a new logo. Deadman’s first appearance in Strange Adventures #205, written by Arnold Drake and drawn by Carmine Infantino, included the first known depiction of narcotics in a story approved by the Comics Code Authority. The “Deadman” feature served as an early showcase for the artwork of Neal Adams.
Adventure Comics was published by DC Comics from 1938 to 1983 and revived from 2009 to 2011. In its first era, the series ran for 503 issues (472 of those after the title changed from New Adventure Comics), making it the fifth-longest-running DC series, behind Detective Comics, Action Comics, Superman, and Batman. It was revived in 2009 by writer Geoff Johns with the Conner Kent incarnation of Superboy headlining the title’s main feature, and the Legion of Super-Heroes in the back-up story. It returned to its original numbering with #516 (September 2010). The series finally ended with #529 (October 2011), prior to DC’s The New 52 company reboot.
World’s Finest was initially a 96 page quarterly anthology, featuring various DC characters – always including Superman and Batman – in separate stories. Comics historian Les Daniels noted that “Pairing Superman and Batman made sense financially, since the two were DC’s most popular heroes.” When superheroes fell out of vogue in the early 1950s, DC shortened the size of the publication to that of the rest of its output, leaving only enough space for one story; this led to Superman and Batman appearing in the same story together starting with World’s Finest Comics #71 (July 1954).The series continued to feature Superman and Batman team-ups until issue #197. Noted Batman artist Neal Adams first drew the character in an interior story in “The Superman-Batman Revenge Squads” in issue #175 (May 1968).
Thor debuted in the science fiction/fantasy anthology title Journey into Mystery #83 (cover-date Aug. 1962), and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller-plotter Jack Kirby. A different version of the mythological Thor had appeared previously in Venus #12-13 (Feb.-April 1951).
In a 1984 interview Kirby said “I did a version of Thor for D.C. in the Fifties before I did him for Marvel. I created Thor at Marvel because I was forever enamored of legends, which is why I knew about Balder, Heimdall, and Odin. I tried to update Thor and put him into a superhero costume, but he was still Thor.” And in a 1992 interview, Kirby said “[I] knew the Thor legends very well, but I wanted to modernize them. I felt that might be a new thing for comics, taking the old legends and modernizing them.”
Journey into Mystery was retitled Thor (per the indicia, or The Mighty Thor per most covers)with issue #126 (March 1966). “Tales of Asgard” was replaced by a five-page featurette starring the Inhumans from #146–152 (Nov. 1967 – May 1968), after which featurettes were dropped and the Thor stories expanded to Marvel’s then-standard 20-page length.
Several incarnations of Hawkman have appeared in DC Comics, all of them characterized by the use of archaic weaponry and by large, artificial wings, attached to a harness made from the special Nth metal that allows flight. Most incarnations of Hawkman work closely with a partner/romantic interest named Hawkgirl or Hawkwoman.
Since DC’s continuity was rewritten in the 1985 series Crisis on Infinite Earths, Hawkman’s history has become muddled with several new versions of the character appearing throughout the years, some associated with ancient Egypt and some with the fictional planet Thanagar. These versions of the character have starred in several series of various durations.
A two-issue Silver Surfer miniseries (later collected as Silver Surfer: Parable), scripted by Lee and drawn by Moebius, was published through Marvel’s Epic Comics imprint in 1988 and 1989. Because of inconsistencies with other stories, it has been argued that these stories actually feature an alternate Silver Surfer from a parallel Earth. This miniseries won the Eisner Award for best finite/limited series in 1989.
Daredevil debuted in Marvel Comics‘ Daredevil #1 (cover date April 1964), created by writer-editor Stan Lee and artist Bill Everett, with character design input from Jack Kirby, who devised Daredevil’s billy club. When Everett turned in his first-issue pencils extremely late, Marvel production manager Sol Brodsky and Spider-Man co-creator Steve Ditko inked a large variety of different backgrounds, a “lot of backgrounds and secondary figures on the fly and cobbled the cover and the splash page together from Kirby’s original concept drawing”.
Writer and comics historian Mark Evanier has concluded (but cannot confirm) that Kirby designed the basic image of Daredevil’s costume, though Everett modified it. The character’s original costume design was a combination of black, yellow, and red, reminiscent of acrobat tights. Wally Wood, known for his 1950s EC Comics stories, penciled and inked issues #5–10, introducing Daredevil’s modern red costume in issue #7.