Hello and welcome to EHT Comics! Thank’s for taking the time to stop by our site. All of the items posted on our site are scans or photos of the actual items we have for sale. Just click on an item to view a larger and more detailed image. E-mail us anytime at EHTcomics@gmail.com in regards to items that you are interested in and a Paypal Invoice will be provided via email. Shipping information is provided under “About Us” on the right. We are always adding new comics, so stop back often and if you don’t see it, feel free to ask.
This free, but rare, comic is the only part of the Clone Wars Adventures series published in comic book form the rest of the series was published in graphic novels. Given out on 2004 Free Comic Book Day for a limited release it’s very hard to find! It’s the very beginning of the Clone Wars Adventures saga.
Grifter was an ongoing comic book series originally published by Image Comics. It featured the popular adventurer known as Grifter – a member of the super-hero team, the WildC.A.T.s, as well as the 70’s black ops outfit, Team-7. Grifter is the first member of the WildC.A.T.s to receive his own series. Oddly, the series began as part of a ten-chapter story-arc called “WildStorm Rising“, which swept through all of the published WildStorm titles of 1995 and was book-ended by the two-issue WildStorm Rising limited series.
A former police officer known only as “S” operates as a private detective based in New York City, finding people and objects for a fee. S steals a quantity of a strange substance called “Heavy Liquid”. On its own, it is a metallic-liquid explosive, but it turns into “black milk” when cooked, and exhibits mind-altering, drug-like properties. A mysterious art collector who also has a quantity of Heavy Liquid wishes to hire S to find a missing artist named Rodan Esperella (coincidentally S’s ex-lover), whom he hopes will create a piece out of the Heavy Liquid for him. In the meantime, assassins are on S’s trail, looking to retrieve the stolen Heavy Liquid. S finally trails Esperella to Paris, and he tries to broker a deal between her and the art collector. Esperella promises to sculpt a masterpiece on the condition that she never see S again. His job done, S boards a train heading to Prague, where he is cornered by one of his pursuers. S then discovers from his pursuer that the Heavy Liquid is alien in origin, and may even possess some form of consciousness. Ingesting the drug himself, S escapes by jumping onto another train, his physical abilities dramatically increased by the Heavy Liquid. S comes to understand its nature as a medium containing an alien intelligence. Ultimately, on the European train, S experiences first contact with the being.
The entity that instigated the first Secret War, the Beyonder, visits Earth in search of enlightenment and inevitably comes into conflict with Earth’s superhumans and the cosmic entities that exist in the Marvel Universe. At first, the Beyonder tries to figure out the meaning of the simple everyday tasks humans do, such as: eating, sleeping, using the bathroom, etc, then the Beyonder works for a mobster and becomes very powerful and obsessed with gadgets. The Earth’s heroes are very suspicious of him and this causes the Beyonder to retreat to a lone island. Mephisto recruits an army of supervillains with boosted strength, but the Thing fights them off after he is given augmented strength as well. The Beyonder falls in love with Dazzler, and tries to start a relationship with Boom Boom, but both turn him down. It is also explained how Doctor Doom, who was killed in the “normal” timeline, was able to appear in the first Secret Wars. The Beyonder recreates Doom’s body from its disintegrated particles and sends him back in time to the start of the Secret Wars, causing Doom to live them in reverse order.
In the early 80’s, George Pérez, Don Heck, and Rich Buckler would rotate as artist on the title. The double-sized anniversary issue #200 (March 1982) was a “jam” featuring a story written by Conway, a framing sequence drawn by Pérez, and chapters drawn by Pat Broderick, Jim Aparo, Dick Giordano, Gil Kane, Carmine Infantino, Brian Bolland, and Joe Kubert. Bolland’s chapter gave the artist his “first stab at drawing Batman.” Pérez would leave the title with issue #200 to concentrate on The New Teen Titans although he would contribute covers to the JLAthrough issue #220 (November 1983). The 1982 team-up with the Justice Society in issues #207–209 crossed over with All-Star Squadron #14–15. A Justice League story by Gerry Conway and Rich Buckler originally intended for publication as an issue of All-New Collectors’ Edition saw print in Justice League of America #210–212 (January–March 1983).
Seeking to capitalize on the popularity of their other team books, which focused upon heroes in their late teens/early 20s, Gerry Conway and artist Chuck Patton revamped the Justice League series. After most of the original heroes fail to help fend off an invasion of Martians, Aquaman dissolves the League and rewrites its charter to allow only heroes who will devote their full-time to the roster. The new team initially consists of Aquaman, Zatanna, Martian Manhunter, Elongated Man, the Vixen, and a trio of teenage heroes Gypsy, Steel, and Vibe. Aquaman leaves the team after a year, due to resolving marital problems, and his role as leader is assumed by the Martian Manhunter.
The final storyline for the original Justice League of America series (#258–261), by writer J. M. DeMatteis and artist Luke McDonnell, concludes with the murders of Vibe and Steel at the hands of robots created by long-time League nemesis Professor Ivo, and the resignations of Vixen, Gypsy, and the Elongated Man during the events of DC’s Legends miniseries, which sees the team disband.
Journey into Mystery was initially published by Atlas Comics, then by its successor, Marvel Comics. Initially a horror comics anthology, it segued to giant-monster and science fiction stories in the late 1950s. Beginning with issue #83 (cover dated August 1962), it ran the superhero feature “The Mighty Thor“, created by writers Stan Lee and Larry Lieber and artist Jack Kirby, and inspired by the mythological Norsethunder god. The series, which was renamed for its superhero star with issue #126 (March 1966), has been revived three times: in the 1970s as a horror anthology, and in the 1990s and 2010s with characters from Marvel’s Thor mythos.
The base concept of The Mask was created by Mike Richardson in 1982. It first saw life as a single sketch he drew in 1985 for APA-5, an amateur press publication created by writer Mark Verheiden. After starting Dark Horse Comics, Richardson pitched his concept to Marvel Comics comic book writer/artist Mark Badger. The outcome was the Masque strip, that ran in the early issues of Dark Horse Presents. Badger’s strips became increasingly political, and Richardson ended the strip in order to bring the character back to his original concept.
Artist Chris Warner was hired to revamp the character based on Richardson’s original APA-5 drawing and created the definitive look for the character, that was given a new launch in 1989 in the pages of Dark Horse’s Mayhem anthology. Aspiring writer John Arcudi and artist Doug Mahnke were hired to create the new adventures, which became the first very popular use of the character, “a combination of Tex Avery and The Terminator“. The Mask stories from Mayhem #1-4 were later collected as the 1991 issue The Mask #0 and in a trade paperback collection as well.