Category: Marvel Iron Age

Captain America (1980’s)

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The 1980s included a run by writer Roger Stern and artist John Byrne. Stern had Rogers consider a run for President of the United States in Captain America #250 (June 1980), an idea originally developed by Roger McKenzie and Don Perlin. Stern, in his capacity as editor of the title, originally rejected the idea but later changed his mind about the concept. McKenzie and Perlin received credit for the idea on the letters page at Stern’s insistence. Stern additionally introduced a new love interest, law student Bernie Rosenthal, in Captain America #248 (Aug. 1980).

Writer J. M. DeMatteis revealed the true face and full origin of the Red Skull in Captain America #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time. Around this time, the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries Secret Wars. Homophobia is dealt with as Rogers runs into a childhood friend named Arnold Roth who is gay.

Mark Gruenwald became the writer of the series with issue #307 (July 1985) and wrote 137 issues for 10 consecutive years from until #443 (Sept. 1995) the most issues by any single author in the character’s history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included Diamondback, Super Patriot, and Demolition Man. Gruenwald explored numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher; and vigilantism when he hunts the murderous Scourge of the Underworld.

Incredible Hulk (2010’s)

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The Incredible Hulk returns as an ongoing series written by acclaimed PLANET HULK and WORLD WAR HULK scribe Greg Pak! Get ready for Bruce Banner as you’ve never seen him, the Son of Hulk in a whole new world of smash, and an insane new adventure that changes everything for everyone’s favorite Green Goliath!

X-Men: The End – Book 1(2004)

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X-Men: The End is a 2004-2006 trilogy of miniseries published by Marvel Comics, detailing the last days of the X-Men and their adventures in an alternative future. The series, which was part of Marvel’s The End line of books, was written by Chris Claremont and drawn by Sean Chen, with cover art by Greg Land and Gene Ha.

The first part of the miniseries is titled Dreamers and Demons, the second Heroes and Martyrs, and the third Men and X-Men. As it was originally conceived, several years before its actual debut, this series would have re-teamed Chris Claremont and John Byrne, with Byrne providing plots and art and Claremont providing dialogue. Yet after a dispute with Marvel following the cancellation of Byrne’s ongoing series X-Men: The Hidden Years, Byrne left the publisher.

The story of X-Men: The End continues in the 2008 GeNext mini-series, then again in the 2009 mini-series, GeNext: United.

Blade: The Vampire-Hunter (1994)

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Following the cancellation of Nightstalkers, Blade debuted in his first color-comics series, Blade: The Vampire Hunter #1–10 (July 1994 – April 1995), written by Ian Edginton (with the last two issues by Terry Kavanagh) and penciled by Doug Wheatley.

Weirdworld (2015)

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As part of the 2015 Secret Wars storyline, a series titled Weirdworld starring Arkon was released in June 2015 which featured other characters like Morgan le Fay of Earth-15238, Skull the Slayer, a variation of Jennifer Kale from Earth-11234 that is the Queen of Weirdworld’s Man-Things, and characters from The Saga of Crystar. Weirdworld is featured on the map of the storyline’s version of Battleworld as a floating island composed of fragments from many alternate reality magical realms like Polemachus, Crystalium, Klarn, and the original Weirdworld. By the end of the miniseries, Weirdworld manifested on Earth-616 in the Bermuda Triangle.

Astonishing X-Men V3 (2004)

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In 2004, Marvel used the title Astonishing X-Men for an ongoing X-Men series written by Joss Whedon and illustrated by John Cassaday. It is a continuation of Grant Morrison‘s New X-Men title and features a similar line-up of characters, including Cyclops and Emma Frost (as co-team leaders), Beast, Kitty Pryde, Colossus, Lockheed, and Wolverine. This team became the usual focus for most X-Men limited series published during Whedon’s run as well.

Punisher War Journal V1 (1990’s)

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The first volume of The Punisher War Journal ran 80 issues, cover-dated November 1988 to July 1995. Originally written and penciled by Carl Potts, and inked by Jim Lee, who soon became series penciler, it changed creative teams with issue #25 (December 1990) to writer Mike Baron and penciler-inker Mark Texeira. Chuck Dixon took over as writer with #38 (January 1992), continuing with it to the final issue, except for #65-74 (April 1994 – January 1995) which were written by Steven Grant. Others associated with the title include multi-issue pencilers Tod Smith, Ron Wagner, John Hebert, Hugh Haynes, Melvin Rubi, and penciler-inker Gary Kwapisz.

Daredevil (1980’s)

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During the 80’s Frank Miller was hired to continue the title and did so in a similar vein to previous writer  Roger McKenzie. Resuming the drastic metamorphosis the previous writer had begun, Miller took the step of essentially ignoring all of Daredevil’s continuity prior to his run on the series; on the occasions where older villains and supporting cast were used, their characterizations and history with Daredevil were reworked or overwritten. Most prominently, dedicated and loving father Jack Murdock was reimagined as a drunkard who physically abused his son Matt, entirely revising Daredevil’s reasons for becoming a lawyer. Spider-Man villain Kingpin was introduced as Daredevil’s new nemesis, displacing most of his large rogues gallery. Daredevil himself was gradually developed into an antihero. In issue #181 (April 1982), he attempts to murder one of his arch-enemies by throwing him off a tall building; when the villain survives as a quadriplegic, he breaks into his hospital room and tries to scare him to death by playing a two-man variation on Russian roulette with a secretly unloaded gun. Comics historian Les Daniels noted that “Almost immediately, [Miller] began to attract attention with his terse tales of urban crime.” Miller’s revamping of the title was controversial among fans, but it clicked with new readers, and sales began soaring, the comic returning to monthly status just three issues after Miller came on as writer.

Peter Parker: Spider-Man V2 (1999)

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This series was a continuance of (vol. 1), with the creative team of Howard Mackie and John Romita Jr. having migrated to the new series. In June 2001, Marvel began a dual numbering system on all its titles that had been relaunched and renumbered. The first issue of Peter Parker: Spider-Man to be dual-numbered was listed as both #30 and #128 on the cover – the second figure achieved by adding the total of issues of the new volume (30) to the first volume’s 98. The comic’s legal indicia, printed on the title page, still listed the series as (vol. 2) #30.

Mackie and Romita Jr. remained through issue #20 (August 2000) when writer Paul Jenkins and artist Mark Buckingham became the new creative team. Jenkins would write the character over different titles for the next five years. Buckingham and Jenkins left Peter Parker: Spider-Man after issue #50 (Jan. 2003) and were briefly succeeded by writer Zeb Wells and an assortment of artists.

Extraordinary X-Men (2016)

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The story takes place following the conclusion of the Secret Wars crossover event. In this comic series, mutants are again faced with possible extinction due to Terrigen Mist which causes exposed mutants to become sterile and possibly suffer from a fatal degenerative disease called “M-Pox”. The gas also prevents the activation of the X-Gene. The series ended with #20.